Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
7
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
8
unknown artist
Elevation of the Ordnance Office
after 1780
9
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
10
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
11
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
12
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
13
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
14
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
15
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
16
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
17
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
18
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
19
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
20
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
21
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
22
unknown artist
View of Cumberland Terrace
undated
23
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
24
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
25
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
38
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
39
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
40
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
41
Attributed to John Carter, 1748–1817
Springing of groins
1815
42
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
43
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
44
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
45
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
46
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
47
unknown artist
Henry VII Chapel, Westminster Abbey
undated
48
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
49
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
50
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
51
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
52
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
53
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
58
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
59
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
60
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
71
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
72
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
73
unknown artist
Grave of the Supposed William Lyndewode
1852
74
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
75
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
76
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
77
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
78
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
80
George Harley, 1791–1871
Ruins of Westminster Palace
1834
81
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
82
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
83
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
84
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
85
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
86
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
87
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
88
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
89
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
90
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
91
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
92
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
98
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
99
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords