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Collection Prints and Drawings
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1
- The Meet
- 1898-1899
2
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
3
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
4
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
5
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
6
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
7
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
8
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
9
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
10
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
12
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
13
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
14
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
15
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
16
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
17
- America. A Prophecy, Plate 2, Title Page
- 1793
18
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
19
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
21
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
22
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
23
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
24
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
25
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
26
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
27
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
28
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
29
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
30
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
31
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
32
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
33
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
34
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
35
- Air; Plate 6
- 1793
36
- America. A Prophecy, Plate 1, Frontispiece
- 1793
37
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
38
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
39
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
40
- Abraham and Isaac
- 1799 to 1800
41
- Satan Approaching the Court of Chaos
- 1784 to 1785
42
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
43
- Miranda, Prospero, and Caliban: The Tempest
- undated
44
- High Street at Bushey, Hertfordshire
- 1812
45
- A View at Terracina
- 1778
46
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
47
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
48
- Falstaff Instructing Bardolph
- 1825
49
- Fishing Cove near Columbo
- undated
50
- Coastal Scene
- 1784
51
- Harvesting - The Noontide Rest
- 1811
52
- An Encampment in St. James Park
- ca. 1780
53
- Little Missenden Church from the Southeast
- 1784
54
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
55
- Landscape with two figures beside an old building
- undated
56
- Marine Study No. 1
- 1773
57
- The South Sea House
- between 1720 and 1728
58
- West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
- 1785
59
- West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
- 1805
60
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
61
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
62
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
63
- The Grand Canal, Venice
- 1835
64
- A Prospect of Vapourland
- 1759
65
- A View of Erith, Looking Up the Thames
- 1750
66
- Morning
- 1753
67
- Greenland Fishery
- 1754
68
- A Calm
- 1754
69
- Noon
- 1753
70
- Lillebonne - Château d'Harcourt
- 1824
71
- View of Leiston Abbey
- 1781
72
- The Dreams of the Youthful Shakespeare
- 1827
73
- Croix de Moulin les Planches
- 1827
74
- Façade de l'Eglise de Brou
- 1825
75
- Tour aux Archives a Vernon
- 1824
76
- Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
- 1824
77
- A Spanish Good Friday
- 1925
78
- Rue du Gros-Horloge, Rouen
- 1824
79
- L'Eglise de St. Gervais et St. Protais
- 1824
80
- The Breaking Up of the Agamemnon, no. 2
- after 1880
81
- Franciscus Bartolozzi
- undated
82
- A Jersey Vraic Cart
- 1939
83
- The Derby Day: Tits and Trampers on the Road to Epsom
- undated
84
- Threshing Corn
- ca. 1845-1849
85
- Lincoln from the River Witham
- undated
86
- Penzance, Cornwall
- 1833
87
- Dudley Priory in Worcestershire, Plate 2
- before 1786
88
- Presages of the Millenium
- 1795
89
- Games at Vauxhall: Playing at Cricket
- ca. 1743
90
- Boston Church and Grand Sluice, Lincolnshire
- undated
91
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
92
- Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
- 1793
93
- Job's Despair
- undated
94
- Juvenis auscultans seni de divinis admonenti
- 1764
95
- The Vision of Eliphaz
- undated
96
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
97
- Niobe
- 1792
98
- Nithsdale
- 1891
99
- Ruins on the Coast
- undated
100
- Intemperance
- undated