Materials & Techniques: stipple engraving / On-site Access: Accessible by appointment in the Study Room / Genre: genre subject

Print made by George Stubbs, 1724–1806

Labourers

1789

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

Print made by Samuel Cousins, 1801–1887

Sunshine of Love

1837

Print made by Thomas Bonner, ca. 1740–ca. 1812

Junius

1769

Print made by Thomas Cheesman, 1760–1834/35

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

1791

Print made by Charles Wilkin, 1750–1814

Here Poor Boy

1796

Print made by Samuel Cousins, 1801–1887

The Visionary

1833

Print made by Francis Haward, 1759–1797

The Infant Academy

1783

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as The Sempstress

1787

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as the Spinster

1789

Francis David Soiron, Born 1764

A Tea Garden

1793

Francis David Soiron, Born 1764

St. James's Park

1790

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberries

1795

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

Print made by George Vertue, 1684–1756

Bookplate: The Spalding Gentlemen's Society

1746

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by Bradshaw & Blacklock, active ca.1850

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Highland Dancers

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

Imitator of George Baxter, 1804–1867

The Bride, Paul and Virginia, the Chalees Satoon, East India

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

Print made by George Cruikshank, 1792–1878

Gemini - Odd-fellows

undated

Print made by George Cruikshank, 1792–1878

Peg Todd, as Head Nurse

undated

Print made by George Cruikshank, 1792–1878

Turning the Tables

undated

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

1789

Francesco Bartolozzi, 1728–1815

Market of Love

1793

Francesco Bartolozzi, 1728–1815

Love Caressed

1783

Francesco Bartolozzi, 1728–1815

Vigilance

1782

Francesco Bartolozzi, 1728–1815

Sympathy

1782

Francesco Bartolozzi, 1728–1815

Prudence

1783

Francesco Bartolozzi, 1728–1815

George Frideric Handel

1784

Print made by Francesco Bartolozzi, 1728–1815

Hanover Square

1782

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745