One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
3
unknown artist
Two Sleeping Dogs
undated
4
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
5
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
6
unknown artist
Woman with Square Hat
undated
7
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
8
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
9
Samuel De Wilde, 1748–1832
An Actress
1806
10
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
11
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
12
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
13
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
14
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
15
Isaac Weld, 1774–1856
The Wine Tasting
1819
16
unknown artist
Head of a Young Woman Looking Left
undated
17
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
18
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
19
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
20
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
21
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
22
unknown artist
Man in Egyptian Dress
undated
23
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
24
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
25
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
26
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
27
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
28
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
29
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
30
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
31
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
32
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
33
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
34
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
35
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
36
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
37
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
38
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
39
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
40
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
41
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
42
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
43
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
51
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
52
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
53
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
54
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
55
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
56
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
57
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
58
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
59
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
60
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
61
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
62
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
63
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
64
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
65
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
66
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
67
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
68
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
69
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
70
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
71
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
72
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
73
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
74
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
75
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
76
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
77
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
78
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
79
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
80
Henry Edridge, 1769–1821
Portrait of Thomas Estcourt Esq. of Estcourt
1806
81
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
82
Sir Thomas Lawrence, 1769–1830
The Wellesley-Pole Sisters
1814
83
Alfred Stevens, 1817–1875
Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
undated
84
Alfred Stevens, 1817–1875
Design for a Coat of Arms
undated
85
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
86
Alfred Stevens, 1817–1875
Study for Massacre of the Innocents
undated
87
William Daniell, 1769–1837
Portrait of Sir William Beechey
between 1808 and 1814
88
John Downman, 1750–1824
Miss Campbell
1803
89
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours