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Materials & Techniques wove paper

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Period 19th century

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Samuel Palmer Ivy Cottage, Shoreham
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
Samuel Palmer A Pastoral Scene
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer The Wayside Smithy
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
John Constable A Country Girl in the Lake District
John Constable, 1776–1837
A Country Girl in the Lake District
1806
Robert Wallis Taj Mahal, Agra
Print made by Robert Wallis, 1794–1878
Taj Mahal, Agra
1831
On view at YUAG
Joseph Mallord William Turner A View of Boppart, with Figures on the River Bank
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
Joseph Mallord William Turner Steeton Manor House, Near Farnley
Joseph Mallord William Turner, 1775–1851
Steeton Manor House, Near Farnley
between 1815 and 1818
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Ingleborough from Chapel-Le-Dale
Joseph Mallord William Turner, 1775–1851
Ingleborough from Chapel-Le-Dale
between 1810 and 1815
Joseph Mallord William Turner Saint Catherine's Hill, Guildford, Surrey
Joseph Mallord William Turner, 1775–1851
Saint Catherine's Hill, Guildford, Surrey
1830
Joseph Mallord William Turner High Street, Edinburgh
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner Leeds
Joseph Mallord William Turner, 1775–1851
Leeds
1816
Edward Lear Parham, Sept. 30, 1834
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
Edward Lear Parham, October.13.1834
Edward Lear, 1812–1888
Parham, October.13.1834
1834
Edward Lear Peppering, Oct. 3-1834
Edward Lear, 1812–1888
Peppering, Oct. 3-1834
1834
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
Edward Lear Qaw el Kebir
Edward Lear, 1812–1888
Qaw el Kebir
1867
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Near Suez, 1 pm, 16 January 1849 (48)
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
Edward Lear Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Near Khan Yunas
Edward Lear, 1812–1888
Near Khan Yunas
1867
Edward Lear Sketch studies of camels
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
Edward Lear Near Belbeis
Edward Lear, 1812–1888
Near Belbeis
1867
Edward Lear Kurayim
Edward Lear, 1812–1888
Kurayim
1867
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Studies of Camels
Edward Lear, 1812–1888
Studies of Camels
January to April 1867
Edward Lear Study of an Egyptian Man on a Camel
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Study of figures and a camel
Edward Lear, 1812–1888
Study of figures and a camel
1867
Edward Lear Opposite Kom Ombos Abu Jer
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
Edward Lear Zereeba, near Belbeis
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
Edward Lear Belbeis
Edward Lear, 1812–1888
Belbeis
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear Between Bir El Abt
Edward Lear, 1812–1888
Between Bir El Abt
1867
Edward Lear Boats
Edward Lear, 1812–1888
Boats
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
Edward Lear Below Rabat, Malta
Edward Lear, 1812–1888
Below Rabat, Malta
1866
Edward Lear Wady Halfeh
Edward Lear, 1812–1888
Wady Halfeh
1867
Edward Lear Near Dishna
Edward Lear, 1812–1888
Near Dishna
1867
Edward Lear Near Bajoura
Edward Lear, 1812–1888
Near Bajoura
1867
Edward Lear Shelaal
Edward Lear, 1812–1888
Shelaal
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Near Korosko
Edward Lear, 1812–1888
Near Korosko
1867
Edward Lear Sorrento, 2 August 1838
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear A Study of Ferns, Civitella
Edward Lear, 1812–1888
A Study of Ferns, Civitella
1842
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
Thomas Sunderland Landscape at Ambleside
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817