Materials & Techniques: wove paper / Subject Terms: genre subject and clouds / Classification: Prints

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by James Fittler, 1758–1835

Warwick Castle

1780

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Francesco Bartolozzi, 1728–1815

February

1793

Print made by Francesco Bartolozzi, 1728–1815

March

1793

Print made by Francesco Bartolozzi, 1728–1815

September

1793

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Thomas Gainsborough, 1727–1788

Wooded Upland Landscape with Riders and Packhorse

1797

Print made by Francesco Bartolozzi, 1728–1815

Sheep-Sheering

1798

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Print made by John Crome, 1768–1821

The Back of the Mills

ca. 1812

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by Alfred Henry Forrester, 1804–1872

Wrapper for six prints from Alfred Crowquill's Christmas Pieces

undated

Print made by unknown artist

Boston Church and Grand Sluice, Lincolnshire

undated

Print made by S. T. Davies, active ca. 1835

Lincoln from the River Witham

undated

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

William Gauci, active 1825–1854

Dundry Tower, Leigh Wood, Hotwell House, Clifton

undated

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Print made by Richard Parkes Bonington, 1802–1828

L'Eglise de St. Gervais et St. Protais

1824

Print made by Richard Parkes Bonington, 1802–1828

Bergues - La Tour du Marché

1824

Print made by Sir Charles D'Oyly, 1781–1845

Brahmins at a Toolsee Altar

ca. 1830

Print made by Sir Charles D'Oyly, 1781–1845

A Bheesty or Water Carrier

ca. 1830

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale de l'Eglise de l'Abbaye de Tournus

1825

William Gauci, active 1825–1854

The Sea Walls, from the Leigh Wood Quarry, Clifton

undated

Print made by Richard Parkes Bonington, 1802–1828

Le Silence Favorable

1826

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Louis Haghe, 1806–1885

His Majesty's Ship Britannia Returning to Port

ca. 1840

Louis Haghe, 1806–1885

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

ca. 1840

Print made by Thomas Creswick, 1811–1869

Moonlight

1839

Print made by John Doyle ('H.B.'), 1797–1868

The (Modern) Deluge

1848

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Alfred W. Cooper, active 1850–1901

The Farmer's Boy (tail piece)

undated

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850