Sir William Pulteney (formerly Johnstone), fifth baronet
ca. 1772
Not on view
7
Thomas Gainsborough, 1727–1788
The Gravenor Family
ca. 1754
Not on view
8
George Lambert, 1700–1765
Kirkstall Abbey, Yorkshire
1747
Not on view
9
James Ward, 1769–1859
The Reverend Thomas Levett and Favourite Dogs, Cock-shooting
1811
Not on view
10
Canaletto, 1697–1768
Old Walton Bridge
1755
Not on view
11
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
12
Arthur Devis, 1712–1787
Robert Gwillym of Atherton and His Family
1745 to 1747
Not on view
13
Henry Thomas Alken, 1785–1851
Hunting Scene: In Full Cry
ca. 1840
Not on view
14
Alexander Nasmyth, 1758–1840
Eleanor and Margaret Ross
between 1785 and 1790
Not on view
15
Nicholas Pocock, 1740–1821
A Landscape with Figures
1798
Not on view
16
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
17
Willem Wissing, ca. 1656–1687
Elizabeth FitzGerald, Countess of Kildare
ca. 1684
Not on view
18
Edwin Long, 1829–1891
The Daughters of Our Empire. England: The Primrose
1887
Not on view
19
John Frederick Herring, 1795–1865
Exercising the Royal Horses
between 1847 and 1855
Not on view
20
Sir Joshua Reynolds, 1723–1792
Elizabeth Gunning, Duchess of Hamilton and Argyll
ca. 1760
Not on view
21
George Barret, ca. 1728/32–1784
Landscape with Cottagers
ca. 1775
Not on view
22
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
23
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
24
George Lambert, 1700–1765
Box Hill, Surrey, with Dorking in the distance
1733
Not on view
25
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
26
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
27
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
28
John Frederick Herring, 1795–1865
The Harvest
ca. 1857
Not on view
29
Henry Bernard Chalon, 1771–1849
The Earl of Shrewsbury's Groom Holding a Hunter
ca. 1800
Not on view
30
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
31
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
32
Richard Parkes Bonington, 1802–1828
A Wooded Lane
ca. 1825
Not on view
33
George Barret, ca. 1728/32–1784
Powerscourt, County Wicklow, Ireland
between 1760 and 1762
Not on view
34
Henry Bright, 1810–1873
On the Norfolk Broads
ca. 1855
Not on view
35
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
36
John Atkinson Grimshaw, 1836–1893
Evening Glow
ca. 1884
Not on view
37
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
38
unknown artist
Design for the Parterre at Hampton Court
early 18th century
39
Print made by Francesco Bartolozzi, 1728–1815
Lavinia, Countess Spencer, Viscountess Althorp
1787
40
Print made by Richard Earlom, 1743–1822
Sensibility
1789
41
Print made by S. Einslie, active 1785–1808
Ann Elizabeth, Countess of Aldborough
1788
42
Print made by John Dean, 1754–1798
Miss Crockatt as Julia de Roubigné
1786
43
Print made by Jan van der Bruggen, 1649–1714
Isabelle d'Orleans, Duchesse de Guise
undated
44
Print made by Robert Dunkarton, 1744–1811
Miss Ann Catley in the Character of Euphrosyne
1777
45
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
46
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
47
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
48
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
49
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
50
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
51
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
52
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
53
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
54
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
55
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
56
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
57
Charles Heath, 1785–1848
Green Park
1825
58
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
59
Print made by Day & Co., 1824–1913
South East View, Lincoln's Inn
between 1845 and 1850
60
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
61
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
62
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
63
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
64
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
65
Print made by David Allan, 1744–1796
Patie and Peggy
1808
66
Print made by David Allan, 1744–1796
Peggy and Patie
1808
67
Print made by David Allan, 1744–1796
Jenny and Roger
1808
68
Print made by Francis Dodd, 1874–1949
The Garden Door
1909
69
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
70
Print made by Alexander Browne, active 1660–1683
The Right Honorable Elizabeth, Countess of Northumberland
between 1681 and 1685
71
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
72
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
73
Print made by unknown artist
A View of the Royal Palace at Naples
undated
74
Print made by unknown artist
Spanish Palace at Naples
undated
75
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
76
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
77
Print made by Francesco Bartolozzi, 1728–1815
Hon. Mr. Leicester Stanhope
1789
78
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
79
Print made by Samuel Cousins, 1801–1887
Miss Croker
1828
80
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
81
Printed by Frederick Landseer Maur Griggs, 1876–1938
Ashwell
1914
82
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
83
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1921
84
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1922
85
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
86
Print made by Frederick Landseer Maur Griggs, 1876–1938
Anglia Perdita
1925
87
Print made by Frederick Landseer Maur Griggs, 1876–1938
Anglia Pedita
1925
88
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
1825
89
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
90
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
91
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
92
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq