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Credit Line Yale Center for British Art, Paul Mellon Collection

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Corso Sant'Anastasia, Verona
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Oil on millboard
Dimensions:
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Ruins of the Naurattan, Sasaram, Bihar
Creator:
Thomas Daniell, 1749–1840
Date:
1811
Materials & Techniques:
Oil on canvas
Dimensions:
38 9/16 x 53 5/8 inches (97.9 x 136.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View of Theobald's Park, Hertfordshire
Creator:
John James Chalon, 1778–1854
Date:
ca. 1840
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 x 31 3/4 inches (62.2 x 80.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Thames at Lambeth Palace
Creator:
unknown artist
Date:
after 1745
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 44 1/8 inches (62.2 × 112.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lambeth Palace
Creator:
Henry Pether, active 1828–1865
Date:
1858
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/4 × 24 1/4 inches (46.4 × 61.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Kensington Gardens
Creator:
John Martin, 1789–1854
Date:
1815
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 18 inches (30.5 x 45.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1748 and 1749
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 1/8 inches (63.5 x 76.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Jami Masjid, Delhi
Creator:
Thomas Daniell, 1749–1840
Date:
1811
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 54 inches (101.6 x 137.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Windsor Castle Seen from the Thames
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Oil on canvas
Dimensions:
26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Windsor Castle from the South
Creator:
unknown artist
Date:
after 1681
Materials & Techniques:
Oil on canvas
Dimensions:
20 1/4 x 31 5/8 inches (51.4 x 80.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lambeth Palace from the West
Creator:
Daniel Turner, active 1782–1805
Date:
1802
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 24 inches (45.7 × 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Westminster Stairs
Creator:
Claude de Jongh, ca. 1600–1663
Date:
1631
Materials & Techniques:
Oil on panel
Dimensions:
18 1/4 x 31 1/2 inches (46.4 x 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Frederick, Prince of Wales
Creator:
Charles Philips, 1708–1747
Date:
1731
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/4 x 14 1/8 inches (48.9 x 35.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Belshazzar's Feast
Creator:
John Martin, 1789–1854
Date:
1820
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/2 x 47 1/2 inches (80 x 120.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Piazzetta, Venice
Creator:
Edward Pritchett, active ca. 1828–1864
Date:
mid-19th century
Materials & Techniques:
Oil on board
Dimensions:
5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Rinaldo and Armida
Creator:
Angelica Kauffmann, 1741–1807
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
51 1/2 × 60 1/4 inches (130.8 × 153 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Windsor Castle from the Buckinghamshire Bank
Creator:
unknown artist
Date:
ca. 1705
Materials & Techniques:
Oil on panel
Dimensions:
37 x 68 inches (94 x 172.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Palace of Triano towards the Flower Garden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective of ye Royal Palace of Somerset next ye River
Creator:
John Maurer, active 1713–1761
Date:
1742
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Front of the Palace of the King of Prussia
Creator:
R. Benning, active 1714–1746
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace of Falkland
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/8 × 16 inches (25.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Versailles
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Graphite, watercolor, white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Palace, Madrid, 1832
Creator:
David Roberts, 1796–1864
Date:
1832
Materials & Techniques:
Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; intermediate engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Ponte alla Carria
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Queen Victoria
Creator:
after George Baxter, 1804–1867
Date:
ca. 1860
Materials & Techniques:
Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King's Palace at Portici, August 28
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 1/2 inches (18.1 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death of the First Born
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hotel de Sens, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
Creator:
John Tinney, died 1761
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Flower Garden, & part of the Palace of Fountainbleau
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of one Wing of Fountainebleau, taken from the Court of Fountains
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
Creator:
Robert Dighton, 1752–1814
Date:
1786
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roma/ Palace of Caesars
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 17in. (26.2 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Kensington Palace from across the Round Pond
Creator:
William Evans of Bristol, 1809–1858
Date:
1832
Materials & Techniques:
Watercolor, white gouache, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 14 1/4 inches (21.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bishop's Palace, Bromley (A Country House)
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Long Library at Blenheim Palace
Creator:
attributed to David Cox, 1783–1859
Date:
mid-19th century
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge of Sighs, Venice
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Savoy Palace, London
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Versailles
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1837
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ducal Palace etc at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Larice

Larice
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dilkoosha, Lucknow in the Distance
Creator:
William Simpson, 1823–1899
Date:
1866
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Linlithgow Palace
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/16 x 7 3/16 inches (13.1 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1779
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite on medium, moderately textured beige wove paper
Dimensions:
Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lambeth Palace
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of the Archbishop's Palace, Croydon: View from the East End
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1827
Materials & Techniques:
Graphite and pen and red ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 7/8 × 10 1/2 inches (22.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Entrance to King John's Palace, Eltham, Kent
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
Creator:
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Date:
ca. 1690
Materials & Techniques:
Pen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hubertusburg Château
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lambeth Palace from Across the River
Creator:
Thomas Priest, active 1738–1750
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tipu Sultan's Summer Palace
Creator:
Lieutenant James Hunter, died 1792
Date:
1792
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 13/16 inches (29.3 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehall Palace, London: Section of Proposed Design
Creator:
unknown artist
Date:
between 1710 and 1740
Materials & Techniques:
Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, third state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brighthelmstone, Sussex
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching (Second State) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Ponte Alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 9/16 inches (27.6 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palatium Regis Prope Londinum, Vulgo Whitehall
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1647
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Feste, as Sir Topas, addressing Malvolio
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Mortimer's Welsh Song
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection