Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) / Classification: Prints

1. A Shipwreck

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1806
Materials & Techniques:: Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Battle Abbey, The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1819
Materials & Techniques:: Etching and line engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 10 1/2 x 16in. (26.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Boats in a Dock

Creator:: Joseph Stannard, 1797–1830
Date:: between 1824 and 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Plate: 17 x 10 3/4in. (43.2 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Plate: 9 1/2 x 12 7/8in. (24.2 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Country Rock

Creator:: Print made by Peter Doig, born 1959
Date:: 2001
Materials & Techniques:: Color-printed etching and aquatint on 350gsm Hahnenmuhle white wove paper
Dimensions:: Sheet: 36 7/8 × 47 7/8 inches (93.7 × 121.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

14. Dudley, Worcestershire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1835
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Each creature, Thenot, to his task is born

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Façade de l'Eglise de Brou

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Folkstone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Fourteen Coast to Coast Walks

Creator:: Hamish Fulton, born 1946
Date:: 1989
Materials & Techniques:: Offset lithograph on 315gsm Heritage cream wove paper
Dimensions:: Sheet: 38 9/16 x 27 9/16in. (98 x 70cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Frontispiece

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Frontispiece, Artist's Home at East Bergholt, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

24. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1829
Materials & Techniques:: Line-engraving and etching, 3rd state on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line-engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Keswick Lake, Cumberland

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1837
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Lakenham, near Norwich

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Landscape with Bridge

Creator:: Joseph Stannard, 1797–1830
Date:: 1824 to 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 17 x 10 3/4in. (43.2 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Landscape with Fallen Tree

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 3/4 inches (25.3 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

32. Leeds

Creator:: Print made by James Duffield Harding, 1798–1863
Date:: 1823
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Line engraving and etching, first published state on thick, smooth, beige wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Maur's Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/4 inches (20 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. Mousehold Heath, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: between 1810 and 1811
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. My sheep quite spent through travel and ill fare

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Nicol's Farm

Creator:: Print made by Paul Drury, 1903–1987
Date:: 1925
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 10 1/8 inches (19.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

38. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Number Forty-Nine

Creator:: Graham Sutherland, 1903–1980
Date:: 1924
Materials & Techniques:: Etching, published state
Dimensions:: Sheet: 9 3/8 x 11 5/8 inches (23.8 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

40. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. Or blasting winds o'er blossom'd hedge-rows pass

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Peat Bog, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Pecken Wood

Creator:: Graham Sutherland, 1903–1980
Date:: 1925
Materials & Techniques:: Etching, published state
Dimensions:: Plate: 5 1/2 x 7 7/16in. (14 x 18.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Line engraving and etching, second published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Priory Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching, engraver's proof, third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Road Scene, Trowse Hall, near Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Rouen

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Dimensions:: Plate: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Line engraving, (First Published State)
Dimensions:: Sheet: 7 x 10 9/16in. (17.8 x 26.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

52. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

53. Salisbury Cathedral

Creator:: Print made by David Lucas, 1802–1881
Date:: 1837
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 x 31 1/2 inches (67.9 x 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1827
Materials & Techniques:: Etching and line-engraving, Engraver's proof, 1st Published State on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. September

Creator:: Paul Drury, 1903–1987
Date:: 1928
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 7 3/4 inches (16.5 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. Shields, on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Summer Afternoon, After a Shower

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

61. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/2 inches (29.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

62. Swansea Chapel

Creator:: John Piper, 1903–1992
Date:: 1966
Materials & Techniques:: Lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 32 × 23 1/4 inches (81.3 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

63. Tan-y-Bwlch, Merionethshire, North Wales

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1810 and 1817
Materials & Techniques:: Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:: Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Beach at Mundesley

Creator:: Joseph Stannard, 1797–1830
Date:: 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 4 1/2 x 6 5/8in. (11.4 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. The Bride

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching printed in brown ink; Engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Footbridge

Creator:: Joseph Stannard, 1797–1830
Date:: 1824 to 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 4 5/16 x 10 3/8in. (11 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Return Home

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1830
Materials & Techniques:: Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Sheep of His Pasture

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1828
Materials & Techniques:: Engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Tintagel Castle, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Turner's Haunts - a map

Creator:: Print made by unknown artist
Materials & Techniques:: Chiswick press? Marcus B. Huish 1878?
Dimensions:: Sheet: 14 1/8 x 8 1/2in. (35.9 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Untitled (D-vertical)

Creator:: Sir Richard Long, born 1945
Date:: 1994
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 33 x 21 1/2in. (83.8 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

81. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of the Pont Neuf, The Mint & etc.

Creator:: Thomas Girtin, 1775–1802
Date:: c.1802
Materials & Techniques:: Soft-ground etching, drypoint with watercolor, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 28in. (20.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Vignette, Hampstead Heath, Middlesex

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

86. Whitlingham

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 17 x 10 3/4in. (43.2 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Wooded Landscape with Two Country Carts and Figures

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Classification Prints

Search Results

1. A Shipwreck

2. A View of Pont Neuf, the Mint, & c.

3. And now behold the sun's departing ray

4. Battle Abbey, The Spot where Harold Fell

5. Ben Arthur, Scotland

6. Between Quilleboeuf and Villequier

7. Boats in a Dock

8. Cader Idris

9. Chain Bridge over the River Tees

10. Château of Amboise

11. Colebrook Dale

12. Composition: Sandy Road through Woodland

13. Country Rock

14. Dudley, Worcestershire

15. Each creature, Thenot, to his task is born

16. Façade de l'Eglise de Brou

17. Folkestone: Harbour, and Coast to Dover, Kent

18. Folkestone: Harbour, and Coast to Dover, Kent

19. Folkstone: Harbour, and Coast to Dover, Kent

20. Fourteen Coast to Coast Walks

21. Front of the New Mills

22. Frontispiece

23. Frontispiece, Artist's Home at East Bergholt, Suffolk

24. Great Yarmouth, Norfolk

25. Hadleigh Castle, Large Plate

26. Hadleigh Castle, Large Plate

27. Harlech Castle, North Wales

28. Keswick Lake, Cumberland

29. Lakenham, near Norwich

30. Landscape with Bridge

31. Landscape with Fallen Tree

32. Leeds

33. Lulworth Cove, Dorset

34. Maur's Farm

35. Mousehold Heath, Norwich

36. My sheep quite spent through travel and ill fare

37. Nicol's Farm

38. Norham Castle on the Tweed

39. Number Forty-Nine

40. Oak

41. Opening the Fold

42. Or blasting winds o'er blossom'd hedge-rows pass

43. Peat Bog, Scotland

44. Pecken Wood

45. Poole, Dorsetshire

46. Priory Farm

47. River Stour, Suffolk

48. River Stour, Suffolk

49. Road Scene, Trowse Hall, near Norwich

50. Rouen

51. Rouen Cathedral

52. Rue du Gros-Horloge, Rouen

53. Salisbury Cathedral

54. Saltash, Cornwall

55. September

56. Shields, on the River Tyne

57. Spruce Fir

58. St. Julian's, Tours

59. Stone Henge

60. Summer Afternoon, After a Shower

61. Summer Evening

62. Swansea Chapel

63. Tan-y-Bwlch, Merionethshire, North Wales

64. The Beach at Mundesley

65. The Bellman

66. The Bride

67. The Cornfield

68. The Drawing of the Clyde

69. The Drawing of the Clyde

70. The Footbridge

71. The Grand Canal, Venice

72. The Lonely Tower

73. The Ploughman

74. The Return Home