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201. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, black ink, red ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 1/2 inches (34 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and ink on thin, smooth, wove paper
Dimensions:
Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1850
Materials & Techniques:
Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 7/8 × 5 5/8 inches (30.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Headfort House, Ireland: Ceiling of the Front Hall

Headfort House, Ireland: Ceiling of the Front Hall
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Headfort House, Ireland: Section of One End of the Parlor

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Headfort House, Ireland: Elevation of One End of the Parlor

Headfort House, Ireland: Elevation of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Headfort House, Ireland: Ceiling of the Eating Parlor

Headfort House, Ireland: Ceiling of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 15 1/2 inches (31.4 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Headfort House, Ireland: Elevation of the Eating Parlor

Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Headfort House, Ireland: Section of One End of the Parlor

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Headfort House, Ireland: Section of the Staircase

Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Headfort House, Ireland: Section of the Staircase

Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
1771 or 1772
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 1/2 inches (54 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Headfort House, Ireland: Eating Parlor Ceiling

Headfort House, Ireland: Eating Parlor Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1775
Materials & Techniques:
Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 25 5/8 inches (47.9 x 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Headfort House, Ireland: Saloon Ceiling

Headfort House, Ireland: Saloon Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:
Sheet: 19 7/16 x 25 3/16 inches (49.3 x 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Langford House, Dublin, Ireland: Great Room Ceiling

Langford House, Dublin, Ireland: Great Room Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1765
Materials & Techniques:
Pen and black ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 16 1/4 inches (28.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Headfort House, Ireland: Section of the Staircase

Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Headfort House, Ireland: Staircase Ceiling

Headfort House, Ireland: Staircase Ceiling
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Headfort House, Ireland: Detail of Entablature in the Staircase

Headfort House, Ireland: Detail of Entablature in the Staircase
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Pen and black and brown ink over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Dimensions:
Sheet: 21 1/8 x 25 15/16 inches (53.6 x 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Headfort House, Ireland: Detail of the Lady's Room Ceiling

Headfort House, Ireland: Detail of the Lady's Room Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Pen and brown ink, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Headfort House, Ireland: Lady's Room Ceiling

Headfort House, Ireland: Lady's Room Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Graphic, watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 22 3/16 inches (44.1 x 56.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
Creator:
Robert Adam, 1728–1792
Date:
1765
Materials & Techniques:
Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:
Sheet: 28 7/16 x 20 9/16 inches (72.3 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra

No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 1/2 inches (39.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. No. 23 drawings of ornamental detail of capitals

No. 23 drawings of ornamental detail of capitals
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 28 1/4 inches (49.2 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Temple at Baalbec: Three Temples amongst other Ruins

Temple at Baalbec: Three Temples amongst other Ruins
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on medium thick, slightly textured, white laid paper
Dimensions:
Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Elevation and Plan of Arch at Makther

Elevation and Plan of Arch at Makther
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Arch of Trajan Mactar Modern Makther set in Landscape

Arch of Trajan Mactar Modern Makther set in Landscape
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Lower Arch at Mactor Modern Makther set in a Landscape

Lower Arch at Mactor Modern Makther set in a Landscape
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash over graphite on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 19 × 25 1/8 inches (48.3 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 15 5/8 inches (30.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. The Antiquities of Africa

The Antiquities of Africa
Creator:
James Bruce, 1730–1794
Date:
1765
Materials & Techniques:
Graphite, red pencil, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 15 1/2 inches (54.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Plan of the great temple of Baalbec and of Portico and Courts leading to it

Plan of the great temple of Baalbec and of Portico and Courts leading to it
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 29 5/8 inches (54.3 × 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Plan of part of the temple at Baalbec

Plan of part of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Plan of the circular temple at Baalbec

Plan of the circular temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Measured drawing of section of pediments of temple Baalbec

Measured drawing of section of pediments of temple Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. No. 25 drawing of temple remains at Baalbec or Palmyra

No. 25 drawing of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther

Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 26 × 19 1/4 inches (66 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Sketch of Arches in Perspective

Sketch of Arches in Perspective
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 13/16 × 21 9/16 inches (40.2 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Sketches of Temple Columns

Sketches of Temple Columns
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Ruins of Temples at Saltronza

Ruins of Temples at Saltronza
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 31 3/4 inches (55.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Architectural detail of arch at Assuras

Architectural detail of arch at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 26 1/8 × 38 3/4 inches (66.4 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Architectural detail of Plaque above Niches in Arch at Tripoli

Architectural detail of Plaque above Niches in Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 19 3/8 inches (65.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Aquaduct at Carthage

Aquaduct at Carthage
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 18 7/8 inches (64.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Plate II Tombe de la Chretienne

Plate II Tombe de la Chretienne
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, and gray wash on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 inches (50.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Tomb of Juba II near Algiers

Tomb of Juba II near Algiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 30 1/2 inches (54 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra

No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 13 3/8 × 21 1/2 inches (34 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. No. 26 drawings of temple remains at Baalbec or Palmyra

No. 26 drawings of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals

View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper
Dimensions:
Sheet: 16 × 21 1/8 inches (40.6 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian

Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 5/8 × 11 inches (16.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Elevation of Front of most entire Temple at Baalbec

Elevation of Front of most entire Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 1/4 inches (24.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. No. 14 sketch of temple remains at Palmyra or Baalbec

No. 14 sketch of temple remains at Palmyra or Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 31 inches (55.2 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Internal Order of the Cell of the most entire Temple at Baalbec

Internal Order of the Cell of the most entire Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on modreately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 12 1/2 inches (27.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples

Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 × 21 1/4 inches (19.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 × 15 3/8 inches (53.7 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Architectural Details of Pedestal Column and Entablature and Pediment Makther

Architectural Details of Pedestal Column and Entablature and Pediment Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, red pencil, graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Details of Lower Arch Mactar, Modern Makther

Details of Lower Arch Mactar, Modern Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 3/4 inches (53.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Trajans Arch, Makter

Trajans Arch, Makter
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Architectural detail of Column of Arch at Tripoli

Architectural detail of Column of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Twenty-eight Arch at Tripoli

Twenty-eight Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 25 5/8 inches (49.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Perspective View: the New Houses of Parliament

Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy

Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 22 1/2 inches (35.6 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Cobham Hall, Kent: Elevation of Tower

Cobham Hall, Kent: Elevation of Tower
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 14 1/2 inches (51.4 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Cobham Hall, Kent: Elevation of Fireplace and Overmantel

Cobham Hall, Kent: Elevation of Fireplace and Overmantel
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 16 3/4 inches (27 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, blue and gray wash, pen and brown and black ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 x 14 1/4 inches (50.2 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Cobham Hall, Kent: Plan of Stables

Cobham Hall, Kent: Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on two joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 34 x 34 inches (86.4 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 1/2 inches (54.3 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Cluny Castle, Aberdeenshire, Scotland: Perspective

Cluny Castle, Aberdeenshire, Scotland: Perspective
Creator:
William Wilkins, 1778–1839
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 11 1/2 inches (48.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on textured, thin, beige laid paper
Dimensions:
Sheet: 18 1/2 × 23 1/4 inches (47 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on rough, moderately thick, beige wove paper
Dimensions:
Sheet: 18 7/8 × 24 7/8 inches (47.9 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, graphite, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 12 inches (48.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on textured, thin, beige laid paper
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Herstmonceux Castle, East Sussex: South West View

Herstmonceux Castle, East Sussex: South West View
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Design for stables, plan with 2 elevations

Design for stables, plan with 2 elevations
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/8 × 18 inches (49.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Design for a blacksmith's shop

Design for a blacksmith's shop
Creator:
unknown artist
Date:
between 1780 and 1790
Materials & Techniques:
Graphite and black chalk; verso: pen and brown ink on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 12 3/16 inches (19.7 x 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, watercolor, graphite on rough, moderately thick, beige wove paper
Dimensions:
Sheet: 19 1/4 × 23 3/4 inches (48.9 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Herstmonceux Castle, East Sussex: Ground Plan

Herstmonceux Castle, East Sussex: Ground Plan
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 34 5/8 inches (64.1 x 87.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Herstmonceux Castle, East Sussex: South East View

Herstmonceux Castle, East Sussex: South East View
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Herstmonceux Castle, East Sussex: The North Front

Herstmonceux Castle, East Sussex: The North Front
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Herstmonceux Castle, East Sussex: North View of the Green Court

Herstmonceux Castle, East Sussex: North View of the Green Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Herstmonceux Castle, East Sussex: The Chicken Court

Herstmonceux Castle, East Sussex: The Chicken Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Herstmonceux Castle, East Sussex: The Kitchen

Herstmonceux Castle, East Sussex: The Kitchen
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Herstmonceux Castle, East Sussex: The Chapel

Herstmonceux Castle, East Sussex: The Chapel
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Herstmonceux Castle, East Sussex: View

Herstmonceux Castle, East Sussex: View
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Herstmonceux Castle, East Sussex: The Hall

Herstmonceux Castle, East Sussex: The Hall
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. East Side of Mr. Hare's New House

East Side of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Herstmonceux

Herstmonceux
Creator:
Charles Gore, 1729–1807
Date:
1787
Materials & Techniques:
Watercolor and pen and brown ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 15 1/4 × 7 1/16 inches (38.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Design for Clifton Castle, Yorkshire: Ground Floor Plan

Design for Clifton Castle, Yorkshire: Ground Floor Plan
Creator:
Thomas Harrison, 1744–1829
Date:
undated
Materials & Techniques:
Gray and green wash with pen and black ink over graphite; gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Design for Kelham Hall, Nottinghamshire: Garden Elevation

Design for Kelham Hall, Nottinghamshire: Garden Elevation
Creator:
Anthony Salvin, 1799–1881
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 20 7/8 × 29 3/4 inches (53 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

Queen's College, Oxford: Plan and Elevation of Hall and Chapel
Creator:
William Townesend, 1676–1739
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 x 23 3/4 inches (45.1 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Kings Weston, Bristol: Ground Floor Plan

Kings Weston, Bristol: Ground Floor Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection