Materials & Techniques: laid paper / Genre: architectural subject / Image Use: Free to Use / Subject Terms: clouds

1. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The North Terrace, Windsor Castle, Looking West

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Gouache and watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 21 1/2 inches (38.1 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Fall of Phaeton: A Study for a Ceiling

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Linlithgow Palace

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 7 3/16 inches (13.1 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Landscape with two figures beside an old building

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 3/4 inches (22.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 9/16 x 12 1/2 inches (14.1 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1715
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/2 x 6 inches (14 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Mountain Landscape with Castle Ruins on a Cliff

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Gray and black wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 17 inches (27.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Study for Ceiling: Apollo and other Figures

Creator:: Attributed to Domenico Mondo, 1723– c.1808
Date:: undated
Materials & Techniques:: Watercolor, gouache, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 7 1/4in. (25.1 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Design for a Wall Panel

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 24 3/4 inches (50.5 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 3/16 × 18 1/16 inches (58.9 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. West Window of the Chapel, New College Oxford: The Virtues - Temperance

Creator:: George Siegmund Facius, 1750–1804
Date:: 1782
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/16 × 18 1/16 inches (63.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. West Window of the Chapel, New College Oxford: The Virtues - Faith

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 1/4 inches (63.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. West Window of the Chapel, New College Oxford: The Virtues - Justice

Creator:: George Siegmund Facius, 1750–1804
Date:: 1782
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 1/16 × 18 1/16 inches (63.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. West Window of the Chapel, New College Oxford: The Virtues - Hope

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 3/8 inches (63.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bath: The Crescent

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of Maglova Aqueduct

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Bath: The North Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Bristol High Cross

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1734
Materials & Techniques:: Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Grotto at Posillipo

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1782
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Façade de l'Eglise de Brou

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Totterne Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 9 inches (15.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. St. Mary's Priory, Thetford

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

49. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1775
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Newcastle Emlyn

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 1/2 inches (13.6 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. Kilgaren Castle

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 15/16 inches (14 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

55. Cottages behind Horsley's House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 7/16 inches (23.2 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

56. Horsley's House at Willesley

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 9/16 x 14 1/4 inches (26.8 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

57. The Inn, Purfleet

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1869
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 11 9/16 inches (22 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

58. An Essex Farm

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 8 7/16 x 13 7/16 inches (21.5 x 34.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

59. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cottages behind Horsley's House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 13 1/16 inches (21.6 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. The Breaking Up of the Agamemnon, no. 1

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1870
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

62. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1921
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

63. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

64. The Palace

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1916
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 10 5/8 inches (33.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1793
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Priory Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching, engraver's proof, third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. Barnack

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

68. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Design for the Decoration of a Staircase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 15 inches (21.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Valle Crucis Abbey, Denbighshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Villa Medici, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Convent of Monte Olivetto near Florence

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 9 3/8 inches (13 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Bristol Hot Wells

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1773
Materials & Techniques:: Pen and brown ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:: Sheet: 5 x 8 7/8 inches (12.7 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 15 7/8 x 25 1/8in. (40.3 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. British General Headquarters at Montreuil

Creator:: William Lee Hankey, 1869–1952
Date:: 1917
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/2 x 17 7/16 inches (34.3 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. Railway and Commercial Hotel, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 5/16 x 11 5/8 inches (23.6 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

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Materials & Techniques laid paper

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Search Results

1. Basle

2. The Fifth Plague of Egypt

3. The North Terrace, Windsor Castle, Looking West

4. Nîmes from the Tour Magne

5. Windsor Castle, Berkshire

6. High Street at Bushey, Hertfordshire

7. The Fall of Phaeton: A Study for a Ceiling

8. Linlithgow Palace

9. Little Missenden Church from the Southeast

10. Landscape with two figures beside an old building

11. Design for a Ceiling

12. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

13. A View of Core's Library, Dawlish, Devon

14. Design for a Ceiling

15. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

16. Sketch for the Oil Painting "The Conversion of St. Paul"

17. Mountain Landscape with Castle Ruins on a Cliff

18. Study for Ceiling: Apollo and other Figures

19. Design for a Wall Panel

20. The Ruins of the College of Lincluden

21. St. Martin's Church

22. The Admiralty Office

23. Dinant, No. 1: Southwest View

24. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

25. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

26. West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

27. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

28. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

29. West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

30. West Window of the Chapel, New College Oxford: The Virtues - Temperance

31. West Window of the Chapel, New College Oxford: The Virtues - Faith

32. West Window of the Chapel, New College Oxford: The Virtues - Justice

33. West Window of the Chapel, New College Oxford: The Virtues - Hope

34. The Ceiling in the Banqueting House at Whitehall

35. The South Sea House

36. View of Leiston Abbey

37. Bath: The Crescent

38. View of Maglova Aqueduct

39. Bath: The North Parade

40. Bristol High Cross

41. The Grotto at Posillipo

42. Dudley Priory in Worcestershire, Plate 1

43. Dudley Priory in Worcestershire, Plate 2

44. Bath: The South Parade

45. Façade de l'Eglise de Brou

46. Views in the Levant: Temple Ruins at Paestum

47. Totterne Inn

48. St. Mary's Priory, Thetford

49. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

50. Fort St. George

51. Moon-Light

52. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

53. Newcastle Emlyn

54. Kilgaren Castle

55. Cottages behind Horsley's House

56. Horsley's House at Willesley

57. The Inn, Purfleet

58. An Essex Farm

59. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

60. Cottages behind Horsley's House

61. The Breaking Up of the Agamemnon, no. 1

62. Sellenger

63. Sellenger

64. The Palace

65. Blockley Church

66. Priory Farm

67. Barnack

68. Dudley Priory in Worcestershire, Plate 2

69. Design for the Decoration of a Staircase

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

71. Country House

72. Sellenger