"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
1003
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
1004
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
1005
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
1006
unknown artist
Mr. Nash's Castle
after 1814
1007
Lionel Edwards, 1878–1966
Point to Point, Old Style
undated
1008
Print made by Day & Co., 1824–1913
New Steine and Rock Gardens
1839
1009
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
1010
James Fittler, 1758–1835
Mail Coach
ca. 1787
1011
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
1012
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
1013
Print made by Sir Charles D'Oyly, 1781–1845
A Syce or Groom
ca. 1830
1014
Hablot Knight Browne, 1815–1882
Mr. Hawks thinks he had Better Turn Back
undated
1015
David Cox, 1783–1859
Hay Wagon and Horses
undated
1016
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
1845
1017
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
1018
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
1019
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
1020
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
1021
William Simpson, 1823–1899
Sketchbook from Calcutta to Peshawar
1859
1022
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
1023
Thomas Rowlandson, 1756–1827
Riding and Driving Mishaps
undated
1024
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
1025
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
1026
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
1027
Thomas Rowlandson, 1756–1827
Landscape with a Hunting Party
undated
1028
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
1029
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
1030
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
1031
Print made by unknown artist
A View of Campo Vaccino at Rome
undated
1032
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
1033
Print made by unknown artist
A View of the Salfatara, a Remarkable Mountain Near Naples
undated
1034
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
1035
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
1036
Print made by Margaret Calkin James, active 1931
Royal Tournament – Olympia
1932
1037
Capt. Thomas Hastings, 1778–1854
Taken From the Dunloh Road, 6 September 1841
1841
1038
Print made by James McNeill Whistler, 1834–1903
The Smith's Yard
ca. 1895
1039
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
1040
Print made by John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
1041
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
1042
James Seymour, 1702–1752
Horse Walking to Left
undated
1043
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
1044
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
1045
Thomas Rowlandson, 1756–1827
Hungarian and Highland Broadsword Exercise
undated
1046
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
1047
Thomas Rowlandson, 1756–1827
A Carrier's Waggon
between 1785 and 1790
1048
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
1049
Thomas Rowlandson, 1756–1827
Review of Light Horse Volunteers on Wimbledon Common
1798
1050
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
1051
Print made by William Spencer Bagdatopolous, 1888–1965
Entry of the Rajah, Ogmor
1935
1052
Thomas Rowlandson, 1756–1827
Scene Outside an Inn
undated
1053
Thomas Rowlandson, 1756–1827
The Waggoner's Rest
between 1800 and 1805
1054
Thomas Rowlandson, 1756–1827
Loading a Waggon
undated
1055
Print made by Ernest Herbert Whydale, 1886–1954
Eventide
undated
1056
Jan Wyck, ca. 1645–1700
Cavalry Battle with a Distant view of a Town
undated
1057
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
1058
Jan Asselyn, ca. 1610–1652
Diepen, pres Amsterdam
undated
1059
Sawrey Gilpin, 1733–1807
Study of Horses Carrying Calves on their Backs
undated
1060
Sawrey Gilpin, 1733–1807
Horseman fleeing storm
undated
1061
Sawrey Gilpin, 1733–1807
Horses in a barn with chickens and a rooster..
undated
1062
unknown artist
Two Figures on Horseback
undated
1063
Print made by Michael "Angelo" Rooker, 1746–1801
N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton
1776
1064
Sawrey Gilpin, 1733–1807
Roman Chariot Drawn by Three Horses, with Charioteer and other Figures
undated
1065
Sawrey Gilpin, 1733–1807
Group of horses
undated
1066
Sawrey Gilpin, 1733–1807
Group Scene showing horses, figures and red Indians
undated
1067
Sawrey Gilpin, 1733–1807
Hound Trial with hounds named
undated
1068
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
1069
Print made by Michael "Angelo" Rooker, 1746–1801
A View of Charlton near Woolwich in Kent
1775
1070
Print made by Michael "Angelo" Rooker, 1746–1801
A View of the Prince's House at Kew
1776
1071
Henry Thomas Alken, 1785–1851
Swishing a Rasper
undated
1072
Sawrey Gilpin, 1733–1807
Rough sketch of figures and horses
undated
1073
Frank Meadow Sutcliffe, 1853–1941
Scene with Cart
1871
1074
Print made by William Bromley, 1769–1842
Cardinal Wolsey Receiving a Letter Sent by Henry VIII
1811
1075
Print made by Thomas Milton, 1742/1743–1827
The Death of Wat Tyler
1810
1076
Sawrey Gilpin, 1733–1807
Figures with Horses
undated
1077
George Chinnery, 1774–1852
Equestrian Studies of an English Officer
undated
1078
Charles Reginald Aston, 1832–1908
Mont Saint-Michel
undated
1079
Sawrey Gilpin, 1733–1807
Study of cattle with horses in the background
undated
1080
Sawrey Gilpin, 1733–1807
Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot
undated
1081
Sawrey Gilpin, 1733–1807
Horses and cows in a hilly landscape
undated
1082
Sawrey Gilpin, 1733–1807
Horses Fighting
undated
1083
Unknown artist (Company style)
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
1084
unknown artist
Landscape with Horses by a Pool
undated
1085
Luke Clennell, 1781–1840
Country Toll House
between 1795 and 1800
1086
Print made by William Walker, 1729–1793
Mary Queen of Scots Arrested
1811
1087
Lewis Morley, 1925–2013
Portobello Market
1960s
1088
Colin Jones, 1936–2021
Seven Sisters Colliery, Dulais Valley, South Wales
1965
1089
James Anderson, 1813–1877
Base of the Column of Antoninus Pius, Vatican
ca. 1857
1090
Frank Meadow Sutcliffe, 1853–1941
Haytime
1871
1091
Emil Otto Hoppé, 1878–1972
Horse Guards, London
1925
1092
Edward Dayes, 1763–1804
Queen Square, London
1786
1093
Richard Cosway, 1742–1821
The Deposition
undated
1094
Sawrey Gilpin, 1733–1807
Four horses, figure faintly sketched in background
undated
1095
Lewis Morley, 1925–2013
Jean Shrimpton and Chris Powell, Racecourse Fashion for 'Go!'
1961
1096
Lewis Morley, 1925–2013
Jean Shrimpton and Chris Powell, Racecourse Fashion for 'Go!'
1961
1097
Sawrey Gilpin, 1733–1807
Study of a Saddled Horse and Horse's Head
undated
1098
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc