"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
902
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
903
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
904
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
905
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
906
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
907
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
908
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
909
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
910
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
911
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
912
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
913
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
914
Samuel Howitt, 1756–1822
The Death
undated
915
Samuel Howitt, 1756–1822
The Check
undated
916
Samuel Howitt, 1756–1822
Going out of Kennel
undated
917
Samuel Howitt, 1756–1822
Going to Cover
undated
918
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
919
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
920
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
921
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
922
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
923
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
924
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
925
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
926
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
927
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
928
John Couse, active 1753–1764
A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
929
I. Pane
A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles
930
Print made by John Couse, active 1753–1764
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
931
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
932
Print made by Alfred Henry Forrester, 1804–1872
The World is Folly's Toy
undated
933
Jack Butler Yeats, 1871–1957
The Last Bank
1897
934
unknown artist
Brighton
after 1814
935
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
936
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
937
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
938
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
939
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
940
unknown artist
Mr. Nash's Castle
after 1814
941
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
942
Print made by unknown artist
A View of the Salfatara, a Remarkable Mountain Near Naples
undated
943
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
944
unknown artist
The Race
ca. 1850
945
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
946
Henry Thomas Alken, 1785–1851
Foxhunting: Full Cry
undated
947
Henry Thomas Alken, 1785–1851
Foxhunting: Gone to Ground
undated
948
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
undated
949
Samuel Alken, 1756–1815
After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)
undated
950
Samuel Alken, 1756–1815
Before the Start: Jockey on Racehorse Receiving Triner's Instructions (one of a pair)
undated
951
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
952
Samuel Alken, 1756–1815
Treeing a Fox
undated
953
Samuel Alken, 1756–1815
Foxhunting: The Meet, With Hounds Coming Out of Kennel
undated
954
Samuel Alken, 1756–1815
Whipper-in With a Hound, the Field Ahead at Left
undated
955
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.
undated
956
Samuel Alken, 1756–1815
Foxhunting: Going to Draw Cover..
undated
957
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
958
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
959
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Leading Out Hounds
undated
960
Samuel Henry Gordon Alken, 1810–1894
Riders Taking a Fence
undated
961
Sawrey Gilpin, 1733–1807
Hunting: The Meet
undated
962
Sawrey Gilpin, 1733–1807
Hunt Followers...Moving with the Hounds to the Left
undated
963
Sawrey Gilpin, 1733–1807
Hunt Followers and Hounds Moving to Right Through Undergrowth
undated
964
Sawrey Gilpin, 1733–1807
Hounds Followed by Three Riders
undated
965
William Hamilton, 1751–1801
The Return from Coursing
undated
966
Thomas Rowlandson, 1756–1827
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
967
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
968
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
969
Print made by Day & Co., 1824–1913
New Steine and Rock Gardens
1839
970
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
971
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
972
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
973
James Fittler, 1758–1835
Mail Coach
ca. 1787
974
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
975
Thomas Rowlandson, 1756–1827
Riding and Driving Mishaps
undated
976
Thomas Rowlandson, 1756–1827
A Phaeton and Six
undated
977
Thomas Rowlandson, 1756–1827
The Riding School
undated
978
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
979
Print made by Ernest Herbert Whydale, 1886–1954
Eventide
undated
980
Jan Wyck, ca. 1645–1700
Cavalry Battle with a Distant view of a Town
undated
981
Thomas Rowlandson, 1756–1827
Hungarian and Highland Broadsword Exercise
undated
982
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
983
Thomas Rowlandson, 1756–1827
Review of Light Horse Volunteers on Wimbledon Common
1798
984
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
985
James Seymour, 1702–1752
Horse Walking to Left
undated
986
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
987
John Leech, 1817–1864
The Close of the Season
undated
988
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
989
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
990
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
991
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
992
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
undated
993
Thomas Rowlandson, 1756–1827
Two Men on Horseback Seen from Behind
undated
994
Thomas Rowlandson, 1756–1827
The Woolpack Inn
undated
995
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
996
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
997
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
998
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark