Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
19
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
20
Edward Lear, 1812–1888
Boats on the Nile
1867
21
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
22
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
23
Edward Lear, 1812–1888
Near Khan Yunas
1867
24
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
25
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
26
Edward Lear, 1812–1888
Near Bajoura
1867
27
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
28
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
29
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
30
Edward Lear, 1812–1888
Qaw el Kebir
1867
31
Edward Lear, 1812–1888
Boats on the Nile
1867
32
Edward Lear, 1812–1888
Howatke
1867
33
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
34
Edward Lear, 1812–1888
Shelaal
1867
35
Edward Lear, 1812–1888
Near Korosko
1867
36
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
37
Edward Lear, 1812–1888
Wady Halfeh
1867
38
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
39
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
40
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
41
Edward Lear, 1812–1888
El Ousta
1854
42
Edward Lear, 1812–1888
Below Rabat, Malta
1866
43
Edward Lear, 1812–1888
Harb. Gozo
1866
44
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
45
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
46
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
47
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
48
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
49
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
50
John Thomas Smith, 1766–1833
The Smock Exposed
1817
51
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
52
John Thomas Smith, 1766–1833
The Reconcilation
1817
53
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
54
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
55
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
56
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
57
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
58
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
59
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
60
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
61
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
62
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
63
James Pollard, 1792–1867
The Meat Market
undated
64
James Pollard, 1792–1867
The Greengrocer
ca. 1819
65
James Pollard, 1792–1867
The Poultry Market
undated
66
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
67
John Linnell, 1792–1882
Woodcutters in a Forest
undated
68
John Nixon, ca. 1760–1818
Brighton Races
1805
69
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
70
Eugene S. Ince, active 1860
An Album of Original Sketches
ca. 1860
71
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
1841
72
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
73
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
74
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
75
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
76
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
77
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
78
Thomas Rowlandson, 1756–1827
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
79
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
80
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
81
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
82
Charles Williams, active 1796–1830
The Union Club
undated
83
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
84
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
85
Thomas Heaphy, 1775–1835
Inattention
1808
86
unknown artist
Thatched Roof and Tree
undated
87
Edward Blore, 1787–1879
Design for a Park Gateway
undated
88
Thomas Shotter Boys, 1803–1874
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
1832
89
Sir David Wilkie, 1785–1841
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
undated
90
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
91
Isaac Weld, 1774–1856
The Wine Tasting
1819
92
Isaac Weld, 1774–1856
An Execution, Rome
1819
93
Sir Joshua Reynolds, 1723–1792
Preface to Original Sketches by Sir Joshua Reynolds