Collection: Prints and Drawings / Subject Terms: marine art / Classification: Prints

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Print made by Joseph Mallord William Turner, 1775–1851

Catania, Sicily

ca. 1825

Print made by Joseph Mallord William Turner, 1775–1851

Catania, Sicily

ca. 1825

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

after Joseph Mallord William Turner, 1775–1851

The Fighting "Temeraire"

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 17

1821

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by Thomas Tagg, died 1809

Flint

1795

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Weymouth

1813

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by Edward Goodall, 1795–1870

Naples

1829

Print made by Robert Wallis, 1794–1878

Amalfi

1829

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by Lydia Bates, active 1784

Coastal Scene

1784

unknown artist

Untitled [frigates, possibly after a battle]

Daniel Lerpiniere, c.1745–1785

The Representation of the Dealer of a Squardon of Spanish Ships

1782

William Woollett, 1735–1785

The Battle at La Hogue

1781

Print made by John Robert Cozens, 1752–1797

Bath: The New Bridge

1773

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Greenwich Hospital

after 1850

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Constantinople

after 1850

Patrick Procktor, 1936–2003

And We Did Speak Only to Break the Silence of the Sea

1976

Pierre Charles Canot, ca. 1710–1777

A Strong Gale or Squall

Pierre Charles Canot, ca. 1710–1777

Fresh Gale

unknown artist

A Squadron of Ships Sailing before the Wind

Pierre Charles Canot, ca. 1710–1777

Night & a Ship on fire

Pierre Charles Canot, ca. 1710–1777

Storm, Representing that Violent one, which drove his Majesty King George I into Rye

Nathaniel Parr, active 1742–1751

The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by John Cousen, 1804–1880

Light Towers of the Heve, vignette for title page

1834

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Pierre Charles Canot, ca. 1710–1777

Morning, or Sun rising

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

unknown artist

A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

James Cole, fl.1720–1743

The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

unknown artist

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

Print made by unknown artist

A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel

unknown artist

A View of His Majesty's Dock Yard at Plymouth, in the County of Devon, on the British Channel

John Bowles, 1701–1779

A Perspective View of Venice

between 1780 and 1815

unknown artist

A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Brightlingsea Hard, Landing Oysters

1929

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Print made by Sir David Young Cameron, 1865–1945

Venice from the Lido [North Italian Set: No. 17]

1896

Print made by Sir David Young Cameron, 1865–1945

The Palace Doorway [North Italian Set: No. 22]

1895

Print made by Sir David Young Cameron, 1865–1945

Doge's Palace

1902

Print made by George Cruikshank, 1792–1878

Untitled

undated

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by Charles Golding Constable, 1821–1879

Harbour Scene with Town

undated

Print made by Charles Golding Constable, 1821–1879

Harbour Scene with Town

undated

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by John Boydell, 1720–1804

Evening

1755

Print made by John Boydell, 1720–1804

Night

1756

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