A View of the Cathedral and City of Lincoln from the River
ca. 1760
Not on view
15
Nicholas Pocock, 1740–1821
A Landscape with Figures
1798
Not on view
16
Philippe-Jacques de Loutherbourg, 1740–1812
The Rainbow
1784
Not on view
17
John Feary, ca. 1745–1788
One Tree Hill, Greenwich, with London in the Distance
1779
Not on view
18
William Linton, 1791–1876
Cottages by a River
ca. 1845
Not on view
19
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
20
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
21
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
22
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
23
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
24
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
25
Attributed to Sir David Wilkie, 1785–1841
On the Pier, Calais
ca. 1810
26
William Alexander, 1767–1816
City of Lin Tsin, Shantung, with a View of the Grand Canal
1795
27
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
28
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
29
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
30
Print made by George Arnald, 1763–1841
Choquer
1821
31
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
32
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
33
Print made by George Arnald, 1763–1841
Choquer
1821
34
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
35
attributed to Michael "Angelo" Rooker, 1746–1801
Carisbrooke Castle, Isle of Wight
undated
36
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
37
George Morland, 1763–1804
Peasants in a Grotto
undated
38
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
39
John James Barralet, 1747–1815
View of Lucan House
1782
40
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
41
Thomas Rowlandson, 1756–1827
The Picnic
undated
42
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
43
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
44
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
45
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
46
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
47
Lt. Gen. Charles Emilius Gold, 1803?–1871
View near Auckland: Maori Warrior and Women
1860
48
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
49
Thomas Hearne, 1744–1817
A Rustic Scene
undated
50
Joseph Murray Ince, 1806–1859
A Picnic on Richmond Hill
undated
51
John William Inchbold, 1830–1888
In Richmond Park
1869
52
John Martin, 1789–1854
Kensington Gardens
undated
53
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
54
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
55
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
56
Thomas Rowlandson, 1756–1827
The Ivory Coast, West Africa
between 1810 and 1815
57
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
58
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
59
Peter DeWint, 1784–1849
The Cornfield
undated
60
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
61
Thomas Rowlandson, 1756–1827
Netting a Salmon Pool
undated
62
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
63
Thomas Rowlandson, 1756–1827
A Summer Idyll
between 1810 and 1815
64
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
65
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
66
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
67
Print made by David Allan, 1744–1796
Peggy and Patie
1808
68
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
69
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
70
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
71
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
72
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
73
Print made by Sir Muirhead Bone, 1876–1953
Glasgow Exhibition: From the Dome
1901
74
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
75
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
76
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
77
Charles B. Newhouse, fl. c.1820–1836
An Elopement by Moonlight
1834
78
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
79
Samuel Howitt, 1756–1822
A Chaise and Pair, With Post-Boy
undated
80
Print made by Richard Earlom, 1743–1822
A Landscape with Cattle
1775
81
James Duffield Harding, 1798–1863
Cascades de Thiers, Auvergne
undated
82
Print made by Edward Calvert, 1799–1883
The Cyder Feast
1828
83
Print made by Edward Calvert, 1799–1883
The Brook
1829
84
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
85
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
86
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
87
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
88
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
89
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
90
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
91
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
92
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
93
Print made by Gregory, Collins and Reynolds, active 1843