Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
6
Frederick Nash, 1782–1856
Somerset House, London
ca. 1825
Not on view
7
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
8
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
9
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
10
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
11
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
12
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
13
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
14
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
15
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
16
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
17
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
18
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
19
unknown artist
Elevation of the Ordnance Office
after 1780
20
unknown artist
View of Cumberland Terrace
undated
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
28
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
32
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
33
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
34
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
35
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
36
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
37
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825
38
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
42
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
44
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
45
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
46
Print made by Michael Hanhart, active 1841–1852
L'Adieu
ca. 1858
47
Print made by Stanley Anderson, 1884–1966
Somerset House, London
1910
48
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
49
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
50
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
51
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
52
Attributed to John Carter, 1748–1817
Springing of groins
1815
53
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
54
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
55
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
56
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
57
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
58
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
59
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
60
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
64
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
65
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
66
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
67
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
68
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
69
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
70
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
71
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
72
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
73
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
74
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
75
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
76
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
77
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
78
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
79
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
80
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
81
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
82
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
83
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
84
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
85
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
86
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
87
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
88
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
89
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
90
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
91
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
92
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
93
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
94
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
95
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
96
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
97
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
98
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
99
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
100
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench