Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
13
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
14
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
15
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
16
Edward Lear, 1812–1888
Studies of Camels
January to April 1867
17
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
18
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
19
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
20
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
21
Edward Lear, 1812–1888
Belbeis
1867
22
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
23
Edward Lear, 1812–1888
Kurayim
1867
24
Edward Lear, 1812–1888
Between Bir El Abt
1867
25
Edward Lear, 1812–1888
El Areesh
1867
26
Edward Lear, 1812–1888
Boats on the Nile
1867
27
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
28
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
29
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
30
Edward Lear, 1812–1888
Boats on the Nile
1867
31
Edward Lear, 1812–1888
Near Bajoura
1867
32
Edward Lear, 1812–1888
Avenue of Trees
1867
33
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
34
Edward Lear, 1812–1888
Study of figures and a camel
1867
35
Edward Lear, 1812–1888
Salahiyeh
1867
36
Edward Lear, 1812–1888
Near Belbeis
1867
37
Edward Lear, 1812–1888
Boats
1867
38
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
39
Edward Lear, 1812–1888
Shelaal
1867
40
Edward Lear, 1812–1888
Near Korosko
1867
41
Edward Lear, 1812–1888
Wady Halfeh
1867
42
Edward Lear, 1812–1888
Howatke
1867
43
George Romney, 1734–1802
Prison Scene
undated
44
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
45
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
46
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
47
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
48
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
49
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
50
Benjamin West, 1738–1820
Page Boy Asleep
undated
51
Benjamin West, 1738–1820
Study of Trees
undated
52
unknown artist
Thatched Roof and Tree
undated
53
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
54
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
55
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
56
Paul Sandby, 1731–1809
Election Scene
undated
57
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
58
James Pollard, 1792–1867
The Poultry Market
undated
59
Samuel Prout, 1783–1852
Church and Cottages
undated
60
William Pars, 1742–1782
A View at Lucerne
1775
61
Benjamin West, 1738–1820
Two Kneeling Figures
undated
62
Benjamin West, 1738–1820
Characters in the Streets of London
1799
63
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
64
Thomas Rowlandson, 1756–1827
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
65
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
66
Robert Dighton, 1752–1814
Bachelor's Hall
undated
67
Isaac Weld, 1774–1856
The Wine Tasting
1819
68
Isaac Weld, 1774–1856
An Execution, Rome
1819
69
Sir Joshua Reynolds, 1723–1792
Preface to Original Sketches by Sir Joshua Reynolds
undated
70
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
71
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
72
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
73
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
74
Peter La Cave, active 1769–1810
Haymakers
undated
75
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
76
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
77
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
78
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
79
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
80
John Thomas Smith, 1766–1833
The Reconcilation
1817
81
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
82
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
83
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
84
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
85
Paul Sandby, 1731–1809
Musicians and a Performing Bear
undated
86
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
87
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
88
Paul Sandby, 1731–1809
River Ferry with Many Passengers and Animals
undated
89
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
90
Thomas Shotter Boys, 1803–1874
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
1832
91
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
92
Paul Sandby, 1731–1809
Woman and Child Holding a Doll
between 1758 and 1760
93
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
94
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
95
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro