<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Period 19th century

Remove constraint Period: 19th century

Image Available Available

Remove constraint Image Available: Available

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

Matthew Darly Caricature of Matthew Darly
Print made by Matthew Darly, active 1754–1778
Caricature of Matthew Darly
1776
Thomas Ryder The Murder of James I, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
unknown artist This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.
Print made by unknown artist
This Celebrated Ewe was Bred and Fed, by Mr. Wilcox
undated
Charles Heath Benevento, Kingdom of Naples
Print made by Charles Heath, 1785–1848
Benevento, Kingdom of Naples
undated
Thomas Harland Charles Barry
Thomas Harland, active early 19th century
Charles Barry
undated
Charles Heath Thomas Gray
Print made by Charles Heath, 1785–1848
Thomas Gray
undated
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Frederick Atkinson Hugh Robinson
Print made by Frederick Atkinson, active 1800
Hugh Robinson
1800
James Heath General Washington
Print made by James Heath, 1757–1834
General Washington
1800
Charles Heath Regent's Canal Basin, City Road
Charles Heath, 1785–1848
Regent's Canal Basin, City Road
undated
Henry Hoppner Meyer Henry Tilson, Painter
Print made by Henry Hoppner Meyer, ca. 1782–1847
Henry Tilson, Painter
between 1800 and 1840
James Basire George Gower
Print made by James Basire, 1730–1802
George Gower
1800
unknown artist Hunting Scene in India
Print made by unknown artist
Hunting Scene in India
undated
Isaac Cruikshank A Flight Across the Herring Pool
Print made by Isaac Cruikshank, 1764–1811
A Flight Across the Herring Pool
1800
G. Greatbach Indian Procession, Ivory Carving; Indian Figures
Print made by G. Greatbach, active 19th century
Indian Procession, Ivory Carving; Indian Figures
undated
Walker The Fall of Tippoo Saib
Print made by Walker, active 1850s
The Fall of Tippoo Saib
undated
Charles Brome Emma, Lady Hamilton as 'Ariadne'
Print made by Charles Brome, ca. 1774–1801
Emma, Lady Hamilton as 'Ariadne'
1801
James Bretherton Strephon and Chloe
Print made by James Bretherton, ca. 1730–1806
Strephon and Chloe
1801
James Bretherton The Salutation Tavern
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
Francesco Bartolozzi William Cobbett
Print made by Francesco Bartolozzi, 1728–1815
William Cobbett
1801
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
Alexander George Fraser A Highland Interior
Print made by Alexander George Fraser, 1786–1865
A Highland Interior
undated
Alexander George Fraser A Seated Man Drinking
Print made by Alexander George Fraser, 1786–1865
A Seated Man Drinking
undated
Peltro W. Tomkins Her Royal Highness the Princess Royal
Print made by Peltro W. Tomkins, 1760–1840
Her Royal Highness the Princess Royal
1801
James Gillray INTEGRITY retiring from Office
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
Anthony Cardon Cupid Wounded
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
James Basire the younger South West view of St. Stephen's Chapel Westminster, Restored 1800
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
Anthony Cardon The Assault and Taking of Seringapatam
Print made by Anthony Cardon, 1772–1813
The Assault and Taking of Seringapatam
1801
Christian Friedrich Duttenhoffer Solitude
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
Benjamin Comte Tynemouth Castle and Priory, Northumberland
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
Thomas Girtin View of the Pont Neuf, The Mint & etc.
Thomas Girtin, 1775–1802
View of the Pont Neuf, The Mint & etc
c.1802
Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
George Chinnery Henry Tresham, Esq, R.A.
Print made by George Chinnery, 1774–1852
Henry Tresham, Esq, R.A
1802
Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Benjamin Baker Plan of the West India Docks
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
Thomas Girtin View of the Tuileries and Bridge taken from the Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Richard Earlom A Landscape, with the Story of Europa
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
Richard Earlom Vulcan's Forge
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
Robert Thew Shakespeare, Macbeth Act IV, Scene I
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
Richard Earlom Tiger Hunting in the East Indies
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Joseph Samuel Alpenny Two Travellers Watering Three Horses
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
Anthony Cardon The Surrender of the Sons of Tippoo Sultaun
Print made by Anthony Cardon, 1772–1813
The Surrender of the Sons of Tippoo Sultaun
1802
Niccoló Schiavonetti The Last Effort and Fall of Tippoo Sultaun
Print made by Niccoló Schiavonetti, 1771–1813
The Last Effort and Fall of Tippoo Sultaun
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
James Girtin Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
James Girtin Dedication Page for: to the Right Honorable George Earl of Essex
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
James Girtin Half Title page for: Views in Paris and its Environs.
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin A View of Pont Neuf, the Mint and etc.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
Thomas Girtin View of Pont St. Michael taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
Thomas Girtin A General View of Paris taken from Chaillot
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin View of the Village of Chaillot and etc. taken from Pont de la Concorde.
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
James Gillray A Scotch Poney - commonly call'd a Galloway
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804