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Remove constraint Materials & Techniques: black inkPeriod 19th century
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1
- A Harrow in the Orchard
- ca. 1896
2
- An Ancient Barn at Shoreham
- undated
3
- Opening the Fold: Early Morning
- ca. 1880
4
- A Cottage among Trees, Shoreham
- undated
5
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
6
- The Capo Sant' Angelo, Amalfi
- ca. 1885
7
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
8
- Custom House and St. Vincent's Wharf
- 1851
9
- The Governor's Residence, St. Anns
- 1851
10
- Cascade at St. Anns
- 1851
11
- Cedros Bay
- 1857
12
- St. James' Barracks from the Playground of the Model School
- 1857
13
- Avenue and Entrance to St. James Barracks
- 1857
14
- Corbeaux Town, Port of Spain
- 1857
15
- Los Gallos, Icacos Bay
- 1857
16
- Residence at Orange Grove Estate, Tacarigua
- 1857
17
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
18
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
19
- Hogarth Declaring His Love to Miss Thornhill
- 1817
20
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
21
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
22
- Hogarth Drawing Sarah Malcolm
- 1817
23
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
24
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
25
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
26
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
27
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
28
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
29
- Hogarth Sitting to Roubiliac for His Bust
- 1817
30
- The Eleventh Hour
- 1817
31
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
32
- King's Wharf, and South Quay-Port of Spain
- 1851
33
- Village of Arima and Mount Tamana
- 1851
34
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820
35
- Pale Melancholy
- ca. 1804
36
- Vale of Newlands, Cumberland
- undated
37
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
38
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
39
- The Smock Exposed
- 1817
40
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
41
- The Reconcilation
- 1817
42
- Miss Elizabeth Siddal
- between 1854 and 1855
43
- A View of Carlisle Bay, Barbados, with Cottages
- ca. 1820
44
- Goat Hill and Ships
- ca. 1820
45
- A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
- ca. 1820
46
- Welsh Landscape
- ca. 1800
47
- The Search after Truth
- undated
48
- Sarcophagus in a Church
- May 10, 1806
49
- High Street at Bushey, Hertfordshire
- 1812
50
- Henry Fuseli
- undated
51
- Landscape with Waterfall
- undated
52
- Design for a Country House
- undated
53
- Machinery for the Manufacture of Paper
- ca. 1810
54
- Design for Grosvenor Bridge, Chester
- ca. 1825
55
- A Castle at the Waterside by Moonlight
- undated
56
- Mayfield
- 1812
57
- Senwick
- undated
58
- Farm of Highbanks
- 1813
59
- Townhead and Drummore
- undated
60
- Nuntons
- undated
61
- Little Kirkland
- undated
62
- Balgreddan and Whinny Liggate
- undated
63
- Netherthird
- undated
64
- North Nunton; South Nunton
- undated
65
- Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
- undated
66
- Mayfield
- undated
67
- Little Sypeland
- undated
68
- Palmangan
- undated
69
- The Farm
- undated
70
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
71
- Whinny Liggate; Balgredan
- undated
72
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
73
- Riverside, St. Joseph
- 1857
74
- Garden Estate, Arouca
- 1857
75
- The Cottage, Residence of the Governor
- 1857
76
- The Bocas from the Old Fort, Macqueripe
- 1857
77
- The Reservoir at Maraval
- 1857
78
- The Pitch Lake
- 1857
79
- The Road to the Pitch Lake
- 1857
80
- Forest Scenery near Tamana
- 1857
81
- View from Laventille Hill
- 1857
82
- Romantic Landscape
- 1803
83
- St. James Market, Saturday
- 1818
84
- Part of the Monastery of St. Saviours, Southwark
- 1809
85
- The Nile, Looking towards Nabia
- ca. 1869
86
- Beauvais
- ca. 1831
87
- Little Sypeland
- undated
88
- Balmae
- undated
89
- Back, Gata and North, Milton
- undated
90
- Torrs
- undated
91
- Culraven and Broadfield
- undated
92
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
93
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
94
- Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
- 1802
95
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
96
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
97
- Study for The Woodman's Daughter
- 1849
98
- The Wreck of the Apollo Frigate, 1803
- undated
99
- A Wooded Track
- 1813
100
- Two Trees
- undated