Materials & Techniques: pen and watercolor / Collection: Prints and Drawings / Work Type: drawing / Subject Terms: architectural subject / Classification: Drawings & Watercolors

201. Layer Marney Hall, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 11 11/16 inches (24.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Land Gate, Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Creator:: Workshop of Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Views in the Levant: Back View of the Head of the Sphinx

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Views in the Levant: Ruined Flat Archway

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Views in the Levant: The Columns of Augustus at Brundisium

Creator:: Willey Reveley, 1760–1799
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Views in the Levant: Rome with Ruins seen Through an Archway

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Tree amidst Houses

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

217. Nun Mill, Northamptonshire

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1762
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 15 1/2in. (21.6 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

218. St. Mary's Priory, Thetford

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

219. South West View of Norwich Castle October 20, 1775

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1775
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 12in. (19.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

220. The Arches Near the East Gate, Bury St. Edmunds Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

221. St. Catherine's Castle at Fowey, Cornwall

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/2in. (30.5 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

222. Chapel of St. Michael's Mount

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1786
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 16 1/2in. (26 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

223. The Quorn towards Ashby de la Zouch, Leicestershire

Creator:: Lionel Edwards, 1878–1966
Date:: 1919
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Entrance to Newmarket

Creator:: William Westall, 1781–1850
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 5/8 inches (9.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The First Fishmongers Hall

Creator:: James Lawson Stewart, active 1883–died 1929
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 5/16 × 10 1/4 inches (18.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. St. Mildred's Poultry E.C. Removed for Street Widening

Creator:: James Lawson Stewart, active 1883–died 1929
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Banqueting House, Whitehall, from the River

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Tower of London

Creator:: David Roberts, 1796–1864
Date:: 1864
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 13 5/8 inches (24.6 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Horse Guards Parade

Creator:: Possibly William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 11/16 inches (24 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Leeds Castle, Kent

Creator:: Thomas Collier, 1840–1891
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 3/8 inches (22.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1852
Materials & Techniques:: watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 x 14 7/16 inches (26.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Doorway and Window of a Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 7/16 inches (32.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Horse Guards From the Bridge, St. James's Park

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 13 1/4 inches (20.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. St. Michael's Hill, Bristol

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1824
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Magdalen Tower and Bridge, Oxford

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 9 5/16 × 7 1/2 inches (23.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. A View of the North Front of Chelsea Hospital

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, etched outline, with perspective lines indicated; prepared for transfer, with black chalk, on verso on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 12 inches (20.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Rider Leading a Second Horse, Leaving the Grounds of a Country House

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and gum arabic on moderately thick, slightly textured, cream wove paper, mounted on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. The Lodge Gate

Creator:: Lionel Edwards, 1878–1966
Date:: 1922
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 7/8 x 9 13/16in. (35.2 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Clare College, Cambridge

Creator:: George-Haydock Dodgson, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and scratching out on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 3/16 inches (26.4 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Windsor Castle from the South

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. The Front of a Town House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. North Foreland Lighthouse

Creator:: George Jackson, active 1839–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 3/16 inches (8.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Cranbourne Lodge

Creator:: Attributed to William Watts, 1752–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/8 inches (21.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. A Castle on a River

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in black ink and blue ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 9 3/8 inches (34.3 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Man Leading a Horse in Front of a Stable

Creator:: Possibly John West Giles, active 1827–1865
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gum arabic on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Claudian Aquaduct, Rome

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. View of Sir William Hamilton's Villa at Posilipo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne-Marie & Homer Byington

253. Prague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1847
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. View of Isleworth Church

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 7 13/16 inches (16 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

255. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Valle Crucis Abbey, Denbighshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Ouse Bridge, York

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:: Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Dover

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 1/4 inches (20.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Mr. Lee's House After the Fire, House of Lords

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Clare Hall, Cambridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 9 1/8 inches (13.7 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Tolleshunt-Beckingham, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Carlisle Cathedral, Cumberland, from the South-west

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Melville Castle, Midlothian

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. A Street in Asiago

Creator:: Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

270. Ludlow Castle

Creator:: Samuel Scott, 1701/2–1772
Date:: between 1765 and 1769
Materials & Techniques:: Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:: Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

271. Visitors Inspecting Abbey Ruins

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. The Farmyard

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Sandown Fort

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 17 1/4 inches (12.1 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Carnarvon Castle, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. L'Institut de France, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1830
Materials & Techniques:: Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Northumberland House, Charing Cross, London

Creator:: John Chessell Buckler, 1793–1894
Date:: 1828
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 3/4 inches (28.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Somerset House and Waterloo Bridge

Creator:: William Edward Dighton, 1822–1853
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, breige, wove paper
Dimensions:: Sheet: 11 1/16 × 20 inches (28.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Design for Ceiling and Frieze

Creator:: Alfred Stevens, 1817–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 1/2in. (22.9 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Hurdum [?]

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, gray ink, graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 1/2 inches (24.8 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of a Fort

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 13 5/8 inches (24.1 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Kirkdale House, Kirkcudbright, Scotland

Creator:: Robert Adam, 1728–1792
Date:: ca. 1786
Materials & Techniques:: Pen and brown ink with watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 14 1/2 inches (27.3 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. An Observation Tower

Creator:: Samuel Davis, 1760–1819
Date:: after 1806
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 15/16 × 21 1/2 inches (60.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Singer's Farm, Bushey, Hertfordshire

Creator:: after Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 17 11/16 inches (32.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Windsor Castle from near Brocas Meadows

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Buildwas Abbey, Shropshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Figures Outside the Boar Inn

Creator:: Robert Dixon, 1780–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 17 1/8 inches (50.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. In the yard of a farmhouse

Creator:: Edmund Dorrell, 1778–1857
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, red ink, graphite, and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 16 1/16in. (28.9 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Isola Bella, Lago Maggiore

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Landscape with Windmills

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Mr. Godschall's House

Creator:: Anthony Devis, 1729–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 19 13/16 inches (38.1 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. School of St. Rocco, Venice, Study of Curved Decoration

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: ca. 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 15/16 x 7 1/4in. (22.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Saloon with an Arch to a Garden and Fountain

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: 1771
Materials & Techniques:: Watercolor, pen, black ink, and gray ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 11 1/8 inches (19.1 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Funchal, Madeira: A Square with a Church

Creator:: Samuel Davis, 1760–1819
Date:: 1779
Materials & Techniques:: Watercolor, pen, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 16 7/8 inches (32.7 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. A Sepoy Sargent in a Compound

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen, and black ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 14 7/8 inches (24.4 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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201. Layer Marney Hall, Essex

202. The Land Gate, Rye, Sussex

203. Views in the Levant: A Ruined Byzantine Church

204. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

205. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

206. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

207. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

208. Views in the Levant: Back View of the Head of the Sphinx

209. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

210. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

211. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

212. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

213. Views in the Levant: Ruined Flat Archway

214. Views in the Levant: The Columns of Augustus at Brundisium

215. Views in the Levant: Rome with Ruins seen Through an Archway

216. Tree amidst Houses

217. Nun Mill, Northamptonshire

218. St. Mary's Priory, Thetford

219. South West View of Norwich Castle October 20, 1775

220. The Arches Near the East Gate, Bury St. Edmunds Suffolk

221. St. Catherine's Castle at Fowey, Cornwall

222. Chapel of St. Michael's Mount

223. The Quorn towards Ashby de la Zouch, Leicestershire

224. Entrance to Newmarket

225. The Admiralty Building from Whitehall

226. The First Fishmongers Hall

227. St. Mildred's Poultry E.C. Removed for Street Widening

228. The Banqueting House, Whitehall, from the River

229. Banqueting House, Whitehall

230. The Tower of London

231. The Horse Guards Parade

232. Leeds Castle, Kent

233. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

234. Doorway and Window of a Church

235. The Horse Guards From the Bridge, St. James's Park

236. St. Michael's Hill, Bristol

237. Magdalen Tower and Bridge, Oxford

238. A View of the North Front of Chelsea Hospital

239. Rider Leading a Second Horse, Leaving the Grounds of a Country House

240. The Lodge Gate

241. Clare College, Cambridge

242. Windsor Castle from the South

243. The Old Stables, Petworth

244. The Front of a Town House

245. North Foreland Lighthouse

246. Cranbourne Lodge

247. A Castle on a River

248. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

249. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

250. Man Leading a Horse in Front of a Stable

251. The Claudian Aquaduct, Rome

252. View of Sir William Hamilton's Villa at Posilipo

253. Prague

254. View of Isleworth Church

255. Tempio d' Antonio e Faustina

256. Valle Crucis Abbey, Denbighshire

257. The Tithe Barn at Abbotsbury with the Abbey on the hill...

258. Glasgow Cathedral

259. Ouse Bridge, York

260. Dover

261. Berry Pomeroy Castle, Devon

262. Mr. Lee's House After the Fire, House of Lords

263. Clare Hall, Cambridge

264. Tolleshunt-Beckingham, Essex

265. Carlisle Cathedral, Cumberland, from the South-west

266. Melville Castle, Midlothian

267. Saint Cuthbert's Holy Island

268. Country House

269. A Street in Asiago

270. Ludlow Castle