A Study for the Pilkington Crest, a mower with a scythe
undated
3
Sir James Thornhill, 1675–1734
Portrait bust of a man in full-length wig
undated
4
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
5
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
6
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
7
unknown artist
A Horse and Rider
undated
8
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
9
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
10
James Seymour, 1702–1752
Rider in Armour
undated
11
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
12
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
13
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
14
James Seymour, 1702–1752
Coursing - After the Kill
undated
15
James Seymour, 1702–1752
Conqueror Going to Start
undated
16
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
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17
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
18
James Seymour, 1702–1752
Foxhunting
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19
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
20
James Seymour, 1702–1752
Victorious
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21
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
22
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
23
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
24
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
25
James Seymour, 1702–1752
The Famous Childers
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26
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
27
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
28
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
29
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
30
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
31
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
32
Sir Joshua Reynolds, 1723–1792
Man and Horse
undated
33
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
34
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
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35
Sir Joshua Reynolds, 1723–1792
Bearded Man Seated
undated
36
Sir Joshua Reynolds, 1723–1792
Two Adults and Child
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37
Sir Joshua Reynolds, 1723–1792
Man Standing with Cane
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38
Sir Joshua Reynolds, 1723–1792
Standing Man
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39
Sir Joshua Reynolds, 1723–1792
Hooded Man Reading
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40
Sir Joshua Reynolds, 1723–1792
Standing Man Gesturing
undated
41
Sir Joshua Reynolds, 1723–1792
Man at Window
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42
Sir Joshua Reynolds, 1723–1792
Seated Man
undated
43
Sir Joshua Reynolds, 1723–1792
Man and Two Women
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44
Sir Joshua Reynolds, 1723–1792
Matador
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45
Sir Joshua Reynolds, 1723–1792
Young Man Standing
undated
46
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
47
Paul Sandby, 1731–1809
Landscape with a Milk Maid and a Beau
undated
48
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
49
Paul Sandby, 1731–1809
A Man and a Saddled Horse
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50
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
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51
Anthony Devis, 1729–1817
Mr. Godschall's House
undated
52
attributed to Paul Sandby, 1731–1809
View in Wales
undated
53
Capt. Francis Grose, 1731–1791
Arches in the City Wall, Canterbury
before 1769
54
Benjamin West, 1738–1820
Man and Woman Holding Baby, Seated on Bank
undated
55
George Romney, 1734–1802
The Bath of Bath-sheba
undated
56
George Romney, 1734–1802
River God
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57
George Romney, 1734–1802
Borghese Gladiator
undated
58
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
59
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
60
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
61
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
62
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
63
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
64
James Barry, 1741–1806
Male with Arms Spread Wide Seen from Behind
undated
65
George Dance, 1741–1825
The Collector
undated
66
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
67
Queen Charlotte, 1744–1818
A Kneeling Knight with a Female Figure and Child
undated
68
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
69
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
70
George Moutard Woodward, ca. 1760–1809
A Family Likeness
undated
71
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
72
Capt. Francis Grose, 1731–1791
Wellingborough out of the Angel Window, Northamptonshire
1762
73
Henry William Bunbury, 1750–1811
How to Ride without a Bridle
undated
74
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'