<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms birds

Remove constraint Subject Terms: birds

Search Results

John Constable Ruin of St. Botolph's Priory, Colchester
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
Francis Danby Sunset over a River Landscape
Francis Danby, 1793–1861
Sunset over a River Landscape
early 1840s
Francis Danby The Avon Gorge, Looking toward Clifton
Francis Danby, 1793–1861
The Avon Gorge, Looking toward Clifton
ca. 1820
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Joseph Mallord William Turner On the Washburn
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1815
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Negadeh, 1:45 pm, 17 January 1867 (190)
Edward Lear, 1812–1888
Negadeh, 1:45 pm, 17 January 1867 (190)
1867
Edward Lear Opposite Abu Girgeh
Edward Lear, 1812–1888
Opposite Abu Girgeh
1867
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Jerusalem, Plate 67, "By those who drink their blood...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Jerusalem, Plate 98, "Then each an Arrow flaming...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
William Beilby Syon House
William Beilby, 1740–1819
Syon House
undated
John Frederick Lewis A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
David Cox Eton from the Thames
attributed to David Cox, 1783–1859
Eton from the Thames
between 1800 and 1829
Joshua Cristall Landing a Catch of Mackerel, Hastings
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Samuel Jackson The Avon near Bristol
Samuel Jackson, 1794–1869
The Avon near Bristol
undated
James Sowerby Eurasian treecreeper
James Sowerby, 1756–1822
Eurasian treecreeper
undated
George Sidney Shepherd The Times and Evening Mail Office
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
James Northcote Study for a Tiger and Monkeys
James Northcote, 1746–1831
Study for a Tiger and Monkeys
undated
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
John Varley Boat Building
John Varley, 1778–1842
Boat Building
1806
William Simpson The Ganges
William Simpson, 1823–1899
The Ganges
1863
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated
James Ward Studies of Geese
James Ward, 1769–1859
Studies of Geese
undated
John Dixon Mrs. Blake as Juno
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
James Lambert of Lewes North East View of a House at Ringmer with Cattle and Sheep by a Pond
James Lambert of Lewes, 1725–1788
North East View of a House at Ringmer with Cattle and Sheep by a Pond
1787
Robert John Gibbings Bridge over River
Robert John Gibbings, 1889–1958
Bridge over River
undated
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
James Sowerby Two Birds on a Branch
James Sowerby, 1756–1822
Two Birds on a Branch
undated
James Sowerby Two Tree Creepers
James Sowerby, 1756–1822
Two Tree Creepers
undated
George Augustus Sala Pheasant defying Hunters
George Augustus Sala, 1828–1895
Pheasant defying Hunters
undated
James de Carle Sowerby Three Toucans
James de Carle Sowerby, 1787–1871
Three Toucans
undated
James Sowerby European Green Woodpecker
James Sowerby, 1756–1822
European Green Woodpecker
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
James Ward Studies of Gulls
James Ward, 1769–1859
Studies of Gulls
undated
Robert Dighton The Produce of Industry
Robert Dighton, 1752–1814
The Produce of Industry
undated
Isaac Shaw Chat Moss
Isaac Shaw, active 1830
Chat Moss
undated
Paul Sandby The North Terrace, Windsor Castle, Looking West
Paul Sandby, 1731–1809
The North Terrace, Windsor Castle, Looking West
ca. 1765
James Lambert of Lewes South View of a House at Ringmer with Gardeners at Work
James Lambert of Lewes, 1725–1788
South View of a House at Ringmer with Gardeners at Work
1787
Rev. William Gilpin Landscape with Road Leading to Abbey
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
Thomas Gainsborough Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
Robert Robinson Exotic Birds
Print made by Robert Robinson, active 1674–1706
Exotic Birds
undated
Johann Jacobus Haid La cuisiniere surveillante
Print made by Johann Jacobus Haid, 1704–1767
La cuisiniere surveillante
undated
Thomas Gainsborough Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
unknown artist A Man with a Basket and Child
unknown artist
A Man with a Basket and Child
undated
James Wyatt Cobham Hall, Kent: Section of the drawing room
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the drawing room
ca. 1790
Paul Sandby Bothwell Castle, from the South
Paul Sandby, 1731–1809
Bothwell Castle, from the South
ca. 1777
John Bewick A Magpie
John Bewick, 1760–1795
A Magpie
undated
Cornelius Varley Farm Buildings with Stack Makers
Cornelius Varley, 1781–1873
Farm Buildings with Stack Makers
ca. 1810
Richard Wilson Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
Richard Wilson, 1713/4–1782
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
Joseph Skelton Part of Balliol College Quadrangle
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
Richard Brookes Woodpecker and Two Birds
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
Richard Brookes Crowned Eagle and Two Birds
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
Thomas Shotter Boys A Storm on the Coast
Thomas Shotter Boys, 1803–1874
A Storm on the Coast
between 1840 and 1850
William Turner of Oxford View from the Dean's Garden, Christ Church, Oxford
William Turner of Oxford, 1789–1862
View from the Dean's Garden, Christ Church, Oxford
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Bernard Lens II The Four Elements
Print made by Bernard Lens II, 1659–1725
The Four Elements
undated
Thomas Cheesman Lady Hamilton as the Spinster
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as the Spinster
1789