View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
2
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
3
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
4
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
5
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
6
Print made by S. Porter, active 1802
Durham Cathedral
1802
7
William Ward, 1766–1826
Sailors Conversation
1802
8
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
9
Print made by William Daniell, 1769–1837
Nathaniel Marchant, R.A
between 1802 and 1814
10
Print made by William Daniell, 1769–1837
Henry Howard
between 1802 and 1814
11
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
12
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
13
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
14
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
15
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
16
Francesco Bartolozzi, 1728–1815
Angelica Catalani
1802
17
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College
1802
18
Print made by William Daniell, 1769–1837
Francis Wheatley, R.A
between 1802 and 1814
19
Francesco Bartolozzi, 1728–1815
He Was Wounded For Our Transgressions
1802
20
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
21
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
22
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
23
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
24
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
25
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
26
Print made by William Daniell, 1769–1837
An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
1802
27
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
28
Thomas Girtin, 1775–1802
View of the Pont Neuf, The Mint & etc
c.1802
29
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
30
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
31
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
32
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
33
John Raphael Smith, 1752–1812
"William and Margaret"
1802
34
Francesco Bartolozzi, 1728–1815
The Distinguishing Characteristic of Masonry
1802
35
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
36
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
37
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
38
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
39
unknown artist
Returning from a Review...Paris
1802
40
unknown artist
Changing Horses Near Clermont
1802
41
unknown artist
Inn Yard at Calais
1802
42
William Ward, 1766–1826
Sailors Conversation
1802
43
Samuel William Reynolds, 1773–1835
Lord Hugh Seymour
1802
44
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
45
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
46
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
47
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
48
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
49
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
50
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
51
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
52
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
53
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
54
George Clint, 1770–1854
General James Stuart
1802
55
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
56
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
57
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
58
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
59
Print made by William Say, 1768–1834
The Cottar's Door
1802
60
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
61
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
62
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
63
Print made by William Daniell, 1769–1837
Edmund Garvey, R.A
between 1802 and 1814
64
Print made by Samuel William Reynolds, 1773–1835
James Northcote
1802
65
Print made by George Chinnery, 1774–1852
Henry Tresham, Esq, R.A
1802
66
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
67
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
68
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
69
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
70
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
71
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
72
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
73
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
74
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
75
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
76
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
77
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
78
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
79
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
80
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
81
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
82
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
83
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
84
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
85
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
86
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
87
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
88
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
89
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
90
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
91
Pierre-Joseph Redouté, 1759–1840
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816