Materials & Techniques: black ink / Creator Gender: male / Image Available: Available

301. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. The Shepherd, from Songs of Innocence

Creator:: William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

310. The Entrance Front of Hayley's House at Eartham

Creator:: William Blake, 1757–1827
Date:: 1801
Materials & Techniques:: Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

319. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

322. Netherthird

Creator:: John McKinlay, 19th century
Date:: 1812
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 22 3/4 × 33 7/8 inches (57.8 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Kirkeoch and Nunmill

Creator:: John McKinlay, 19th century
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 22 11/16 × 34 9/16 inches (57.6 × 87.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Daniel in the Den of Lions

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Fall of a City

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. The Stoning of Saint Stephen

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The Death of Ananias

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. The Conversion of Saul

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Christ with Three Figures

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Christ Healing the Palsied Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. An Elderly Man Petitioning Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Christ Healing a Blind Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Raising of Lazarus

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Notes at an Irish Election

Creator:: Samuel Lover, 1797–1868
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

337. Wild Indian

Creator:: Philip William May, 1864–1903
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/16 × 2 7/8 inches (17.9 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

338. Gaunt's House, Wimborne

Creator:: John Preston Neale, 1771/80–1847
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream wove paper
Dimensions:: Sheet: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Corsham Court, Wiltshire: Elevation of the North Front

Creator:: John Nash, 1752–1835
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Winchester Tower, Windsor Castle

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The North Front of St. Paul's

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/8 × 38 1/8 inches (68.9 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Interior of St. Paul's Cathedral

Creator:: Thomas Malton the Younger, 1748–1804
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card
Dimensions:: Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Waterfall near Lynton

Creator:: Robert Marris, 1750–1827
Date:: 1780
Materials & Techniques:: Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Choir and Orchestra (A Choral Band)

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/8 inches (21 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Saint Paul Preaching to the Britons

Creator:: John Hamilton Mortimer, 1740–1779
Date:: between 1775 and 1778
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 11 inches (20.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. East Side of Sheriff Hutton Castle

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. View from Ashton Meadows, Bristol

Creator:: Nicholas Pocock, 1740–1821
Date:: 1791
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Poulterer's Shop

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/16 × 4 5/16 inches (11 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Cottage and Foot Bridge

Creator:: William Henry Pyne, 1769–1843
Date:: 1794
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 6 7/8 inches (12.9 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Title page from She Stoops to Conquer

Creator:: Alfred Parsons, 1847–1920
Date:: 1884
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/4in. (30.2 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection (The Edwin Abbey Memorial Collection)

360. Valentino, Servitore de Piazza

Creator:: Thomas Patch, 1725–1782
Date:: 1769
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 9 7/8in. (20.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Entrance to Stonehouse Creek, between Plymouth and Dock, Devon

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 3/8in. (26.7 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Study for, In Mr. Barnard's Boat, Kingston

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. A Cave in Sunlight, with Figures

Creator:: William Payne, active 1850s
Date:: 1825
Materials & Techniques:: Watercolor, gouache, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. On the Wye

Creator:: Pupil of William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. View of Revel, Capital of Esthonia

Creator:: Nicholas Pocock, 1740–1821
Date:: undated
Materials & Techniques:: Gray wash, brown wash, pen and black ink, and graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 4 13/16 x 17 3/4in. (12.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Coquet Island

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 16 5/8 inches (8.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Design for an Urn

Creator:: Joseph Wilton, 1722–1803
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Design for an Urn

Creator:: Joseph Wilton, 1722–1803
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 16 3/4 inches (22.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Distant View of Greenwich

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Black ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. A Mistica, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. The King's Bastion, the Club House Hotel, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Pen and black ink, watercolor, graphite and scraping out on thick slightly textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Deposition

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1910
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. Figures Harvesting

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Hero and Leander

Creator:: William Hamilton, 1751–1801
Date:: 1801
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

376. Lago Fucino

Creator:: Charles Gore, 1729–1807
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 36 inches (20.6 × 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Port d'Arona

Creator:: Charles Gore, 1729–1807
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Lisbon from the Convent of St. Francis da Citadel

Creator:: Charles Gore, 1729–1807
Date:: 1774
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 17 1/2 inches (27.3 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Clare College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Entrance to Brentford

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1809
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 16 1/8 inches (30.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Messengers Before an Emperor

Creator:: Francis Hayman, 1707/8–1776
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 3 1/8 inches (12.7 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Cremorne Gardens, Chelsea

Creator:: Walter Greaves, 1846–1930
Date:: 1871
Materials & Techniques:: Pen and black ink, watercolor, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 × 12 3/4 inches (43.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Chelsea Bridge with Men in a Barge

Creator:: Walter Greaves, 1846–1930
Date:: 1860
Materials & Techniques:: Graphite, pen and black ink on smooth, thick, beige card
Dimensions:: Sheet: 5 3/8 × 9 1/2 inches (13.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Old Chelsea Church

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Lady at the Dressing Table

Creator:: Aubrey Vincent Beardsley, 1872–1898
Date:: ca. 1897
Materials & Techniques:: Black ink, gray ink and gray wash on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

387. Pass of Glyndiffis

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 17 1/8 inches (31.8 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Standing Figure of a Lady

Creator:: Francis Hayman, 1707/8–1776
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Windsor Castle from the Eton Playing Fields

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. A Rustic Scene

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Thaxted Church, Essex

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Windsor Castle

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Design for Covent Garden Drop Curtain

Creator:: Thomas Grieve, 1799–1882
Date:: 1823
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 10 1/8 inches (23.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Design for Midsummer Night's Dream

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and ink, and graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 6 1/2 inches (55.9 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Woodcutter and His Family

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. The Sailor's Farewell

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1801
Materials & Techniques:: Watercolor, pen and black ink, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Beaudesert, Staffordshire

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 18 1/2 inches (32.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. View of Erthig, Denbigshire, Wales

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. View of Erthig, Denbigshire, Wales

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured cream laid paper
Dimensions:: Sheet: 9 1/2 x 18 7/8in. (24.1 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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301. Jerusalem, Plate 99, "All Human Forms identified...."

302. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

303. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

304. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

305. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

306. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

307. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

308. The Poems of Thomas Gray, Design 101, "Ode for Music."

309. The Shepherd, from Songs of Innocence

310. The Entrance Front of Hayley's House at Eartham

311. Mary Magdalen at the Sepulchre

312. An Angel with a Trumpet

313. The Parable of the Wise and Foolish Virgins

314. Abraham and Isaac

315. Christ Giving Sight to Bartimaeus

316. Tiriel Supporting the Dying Myratana and Cursing His Sons

317. Joseph and Potiphar's Wife

318. Sealing the Stone and Setting a Watch

319. Moses Receiving the Law

320. Pity

321. Christ Appearing to the Apostles after the Resurrection

322. Netherthird

323. Kirkeoch and Nunmill

324. The Daughters of Jerusalem Weeping by the Waters of Babylon

325. Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

326. Daniel in the Den of Lions

327. Fall of a City

328. The Stoning of Saint Stephen

329. The Death of Ananias

330. The Conversion of Saul

331. Christ with Three Figures

332. Christ Healing the Palsied Man

333. An Elderly Man Petitioning Christ

334. Christ Healing a Blind Man

335. The Raising of Lazarus

336. Notes at an Irish Election

337. Wild Indian

338. Gaunt's House, Wimborne

339. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

340. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

341. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

342. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

343. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

344. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

345. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

346. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

347. Corsham Court, Wiltshire: Elevation of the North Front

348. Winchester Tower, Windsor Castle

349. The North Front of St. Paul's

350. York Water Gate

351. Interior of St. Paul's Cathedral

352. Waterfall near Lynton

353. Choir and Orchestra (A Choral Band)

354. Saint Paul Preaching to the Britons

355. East Side of Sheriff Hutton Castle

356. View from Ashton Meadows, Bristol

357. Poulterer's Shop

358. Cottage and Foot Bridge

359. Title page from She Stoops to Conquer

360. Valentino, Servitore de Piazza

361. Entrance to Stonehouse Creek, between Plymouth and Dock, Devon

362. Study for, In Mr. Barnard's Boat, Kingston

363. A Cave in Sunlight, with Figures

364. On the Wye

365. View of Revel, Capital of Esthonia

366. Coquet Island

367. Design for an Urn

368. Design for an Urn

369. Distant View of Greenwich

370. The 48th Regiment with Casemate, Gibraltar

371. A Mistica, Gibraltar

372. The King's Bastion, the Club House Hotel, Gibraltar

373. Deposition