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Materials & Techniques brown ink
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301
- Beni Eddeir
- 1867
302
- Deir Kadige, noon, January 2, 1867 (26)
- 1867
303
- Lebanon
- 1858
304
- Toara, 11:15 a.m., January 1, 1867 (9)
- 1867
305
- Leonessa, 3 October 1844
- 1844
306
- S. Pietro Degli Agostiniani. Leonessa
- 1844
307
- Reggio
- 1847
308
- Near Suez, evening, 15 January 1849 (43)
- 1849
309
- Near Suez, 1 pm, 16 January 1849 (48)
- 1849
310
- Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
- 1849
311
- Thebes
- 1854
312
- Corfu
- ca. 1856
313
- Vjose, 7:15 p.m. 17 April 1857
- 1857
314
- Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
- 1867
315
- Near Mesghouneh
- 1867
316
- Salonica, from my Room Window, 11 Sept. 1848, after Sunset
- 1848
317
- Nice from the Genoa Road
- 1865
318
- Benares
- 1873
319
- Albenga
- 1864
320
- Gebelein
- 1854
321
- Harb. Gozo
- 1866
322
- El Ousta
- 1854
323
- Garf Hassai, Malta
- 1866
324
- Sliema
- 1866
325
- Mqabba, Qrendi
- 1866
326
- Greek Woodcutter, June 13 /56
- 1856
327
- Vjose, 12:30 p.m., 16 April 1857
- 1857
328
- Vjosa
- 1857
329
- Tepelene, 18 April 1857
- 1857
330
- Tepelene, 19 April 1857
- 1857
331
- Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
- 1866
332
- A Weasel
- 1832
333
- Bavella, Corsica
- ca. 1868
334
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
335
- Maharraka Temple
- February 14, 1867
336
- Strongyli
- May 4, 1864
337
- Deir Kadige
- 1867
338
- Jericho, 7 May 1858
- 1858
339
- New Harbour, Malta
- 1866
340
- Siracusa, 12. June 1847
- 1847
341
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
342
- Oasis Village
- 1854
343
- A View of the Pine Woods Above Cannes
- 1869
344
- Indian River Landscape
- 1874
345
- Catania
- 1847
346
- Amada, 9:30 am, 12 February 1867
- 1867
347
- Turin, Italy
- after 1872
348
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
349
- Fruit trees, 3 April 1863
- 1863
350
- Gozo, near Malta
- 1866
351
- Albania
- between 1848 and 1849
352
- The Pontine Marshes above Terracina
- ca. 1880
353
- View near Palermo
- 1847
354
- Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
- 1866
355
- Mourning Group
- ca. 1790
356
- Figure Study 10
- undated
357
- Figure Composition Study 25
- undated
358
- Study of Two Figures and a Face
- undated
359
- Figure Study 8
- undated
360
- Figure Composition Study 18
- undated
361
- Pharmarus Raises the Phantom before Kunaza
- undated
362
- Horseman of Montecavallo
- between 1773 and 1774
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/385fdfc5-dd39-4571-b456-12cb23ea840d)
363
- [Small Sketchbook]
- 1784
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/ae305f35-50df-4015-897d-bf015f6af281)
364
- [Small Sketchbook]
- 1784
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/91b40f4c-07da-4fd1-a38d-3cd390d92e82)
365
- [Small Sketchbook]
- 1784
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/ce17de81-a51f-4451-902c-d72b3bd78c37)
366
- [Small Sketchbook]
- 1784
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/7a098d5a-85d7-49b9-8a74-c71eb7a427b6)
367
- [Small Sketchbook]
- 1784
![George Romney [Small Sketchbook]](https://media.collections.yale.edu/thumbnail/ycba/a70fb9ac-0bb8-42f0-b44d-fa8eb7052dba)
368
- [Small Sketchbook]
- 1784
369
- Seated Woman, Possibly Mrs. Harris
- undated
370
- Seated Woman: Possibly Mrs. Harris
- undated
371
- Shepherdess Cutting an Inscription on a Tree
- undated
372
- The Destruction of Niobe's Children
- undated
373
- Apollo and Diana for "The Destruction of Niobe's Children"
- undated
374
- Samson Overpowered
- undated
375
- Sketch for the Portrait of a Lady
- undated
376
- Eartham Wood
- between 1749 and 1802
377
- Two Nude Children
- undated
378
- Couple Examining a Book
- undated
379
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
380
- Prison Scene
- undated
381
- Wooded Landscape
- undated
382
- David before Saul
- undated
383
- Lord Salisbury, Standing by a Pillar
- undated
384
- Loosely Described Figures
- undated
385
- Standing Figure with Arm Upraised
- undated
386
- Possibly a Fight Scene
- undated
387
- Standing Figure
- undated
388
- Seated Classical Figure
- ca. 1777
389
- Possibly "Descent of Odin" or "Bolingbroke and Apparition"
- undated
390
- Caladon and Amelia (So-called)
- undated
391
- Prison Scene
- undated
392
- A Man with a Horse, Possibly Ward Thomas
- undated
393
- Mrs. Shelley (So-called)
- undated
394
- Prison Scene
- undated
395
- Duke of Dorset (So-called)
- undated
396
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
397
- Standing Male Figure
- undated
398
- Prison Scene
- undated
399
- The Bath of Bath-sheba
- undated
400
- A Seated Woman
- undated