Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
114
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
115
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
116
Samuel Ireland, active 1760–died 1800
Stone Buildings, Lincoln's Inn
1800
117
Samuel Ireland, active 1760–died 1800
Clement's Inn
1800
118
Samuel Ireland, active 1760–died 1800
Staple Inn
1800
119
Samuel Ireland, active 1760–died 1800
Guildhall
1800
120
Samuel Ireland, active 1760–died 1800
Leather Fullers Hall
1800
121
Samuel Ireland, active 1760–died 1800
Furnival's Inn
1800
122
Samuel Ireland, active 1760–died 1800
Temple Church
1800
123
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Hall and Chapel
1800
124
Samuel Ireland, active 1760–died 1800
Rolls Chapel
1800
125
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Gate
1800
126
Samuel Ireland, active 1760–died 1800
Garden Front of Furnival's Inn
1800
127
Samuel Ireland, active 1760–died 1800
Westminster Hall
1800
128
Print made by David Allan, 1744–1796
Glaud and Symon
1808
129
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
130
Print made by David Allan, 1744–1796
Peggy and Patie
1808
131
Print made by David Allan, 1744–1796
Patie and Peggy
1808
132
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
133
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
134
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
135
Robert Havell, 1769–1832
Crofton
1813
136
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
137
Print made by Robert Pollard, 1755–1838
View of London Bloomsbury Square
1787
138
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
139
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
140
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
141
Jake Chapman, born 1966
Untitled
1999
142
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
143
Print made by John Jones, ca. 1745–1797
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
1790
144
Print made by John Jones, ca. 1745–1797
Robinetta
1787
145
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
146
Print made by Caroline Watson, 1760–1814
Prince William Frederick of Gloucester
1784
147
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
148
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
149
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
150
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
151
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
152
John Hill, 1770–1850
Dining Hall, Asylum
1808
153
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
154
after George Baxter, 1804–1867
Prince Albert
after 1855
155
after George Baxter, 1804–1867
The Death of Ananias
after 1855
156
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
157
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
158
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
159
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
160
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
161
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
162
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
163
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
164
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
165
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
166
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
167
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
168
after George Baxter, 1804–1867
Prince Albert
after 1855
169
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
170
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
171
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
172
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
173
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
174
Print made by Henry Moore, 1898–1986
Mother and Child X
1983
175
Print made by Henry Moore, 1898–1986
Mother and Child XIII
1983
176
Print made by Henry Moore, 1898–1986
Mother and Child XVII
1983
177
Print made by Henry Moore, 1898–1986
Mother and Child XVIII
1983
178
Henri Charles Guérard, 1846–1897
Portrait of Whistler
1888
179
Richard Cooper the Younger, 1740–1814
The Procession of the Knights of the Most Noble Order of the Garter
1782
180
Print made by William Strang, 1859–1921
The Sieve Mender
1884
181
Print made by William Walcot, 1874–1943
Antony's Palace
1928
182
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
183
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
184
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
185
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
186
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
187
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
188
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
189
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
190
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
191
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
192
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
193
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
194
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
195
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
196
Richard Gilson Reeve, 1803–1889
The Victoria Steam Ship at Hull
ca. 1837
197
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
198
William Johnstone White, active 1804–died c.1870
Representation of the Festival for the Return of Peace
1815
199
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
200
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford