The Daughters of Our Empire. England: The Primrose
1887
Not on view
6
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
7
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
8
George Barret, ca. 1728/32–1784
Landscape with Cottagers
ca. 1775
Not on view
9
George Barret, ca. 1728/32–1784
Powerscourt, County Wicklow, Ireland
between 1760 and 1762
Not on view
10
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
11
Arthur Devis, 1712–1787
Robert Gwillym of Atherton and His Family
1745 to 1747
Not on view
12
Thomas Gainsborough, 1727–1788
Landscape with Stream and Weir
between 1750 and 1753
Not on view
13
Nicholas Pocock, 1740–1821
A Landscape with Figures
1798
Not on view
14
Alexander Nasmyth, 1758–1840
Eleanor and Margaret Ross
between 1785 and 1790
Not on view
15
Canaletto, 1697–1768
Old Walton Bridge
1755
Not on view
16
Richard Parkes Bonington, 1802–1828
A Wooded Lane
ca. 1825
Not on view
17
Thomas Gainsborough, 1727–1788
The Gravenor Family
ca. 1754
Not on view
18
Thomas Gainsborough, 1727–1788
Sir William Pulteney (formerly Johnstone), fifth baronet
ca. 1772
Not on view
19
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
20
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
21
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
22
John Frederick Herring, 1795–1865
The Harvest
ca. 1857
Not on view
23
Henry Bright, 1810–1873
On the Norfolk Broads
ca. 1855
Not on view
24
George Lambert, 1700–1765
Box Hill, Surrey, with Dorking in the distance
1733
Not on view
25
Henry Thomas Alken, 1785–1851
Hunting Scene: In Full Cry
ca. 1840
Not on view
26
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
27
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
28
George Lambert, 1700–1765
Kirkstall Abbey, Yorkshire
1747
Not on view
29
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
30
Sir Joshua Reynolds, 1723–1792
Elizabeth (née Gunning), Baroness Hamilton of Hameldon and Duchess of Argyll
ca. 1760
Not on view
31
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
32
James Ward, 1769–1859
The Reverend Thomas Levett and Favourite Dogs, Cock-shooting
1811
Not on view
33
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
34
Henry Bernard Chalon, 1771–1849
The Earl of Shrewsbury's Groom Holding a Hunter
ca. 1800
Not on view
35
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
36
John Atkinson Grimshaw, 1836–1893
Evening Glow
ca. 1884
Not on view
37
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
38
unknown artist
Standing Woman
undated
39
Benjamin West, 1738–1820
A Ford at Wrentham, Suffolk
undated
40
unknown artist
Design for the Parterre at Hampton Court
early 18th century
41
unknown artist
Design for a Greenhouse at Kew Gardens
undated
42
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
43
Print made by Francesco Bartolozzi, 1728–1815
Hon. Mr. Leicester Stanhope
1789
44
Print made by S. Einslie, active 1785–1808
Ann Elizabeth, Countess of Aldborough
1788
45
Print made by John Dean, 1754–1798
Miss Crockatt as Julia de Roubigné
1786
46
Print made by Jan van der Bruggen, 1649–1714
Isabelle d'Orleans, Duchesse de Guise
undated
47
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
48
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
49
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
50
Print made by Alexander Browne, active 1660–1683
The Right Honorable Elizabeth, Countess of Northumberland
between 1681 and 1685
51
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
52
Print made by Alfred W. Cooper, active 1850–1901
The Nightingale
undated
53
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
54
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
55
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
56
Print made by Alfred W. Cooper, active 1850–1901
The Deserted Nest
undated
57
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go
undated
58
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
59
Print made by Day & Co., 1824–1913
South East View, Lincoln's Inn
between 1845 and 1850
60
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
61
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
62
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
63
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
64
Charles Heath, 1785–1848
Green Park
1825
65
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
66
Lawrence Josset, 1910–1995
The Drummond Family
1960
67
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
68
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
69
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
70
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
71
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
72
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
73
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
74
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
75
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
76
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
77
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
78
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
79
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
80
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
81
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
82
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
83
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
84
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
85
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
86
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
87
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
88
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
89
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
90
after George Baxter, 1804–1867
Prince Albert
after 1855
91
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
92
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
93
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
94
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
1825
95
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
96
Print made by Richard Earlom, 1743–1822
A Landscape
1817
97
Print made by Richard Earlom, 1743–1822
Sensibility
1789
98
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
99
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower