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Materials & Techniques etching (printing process)

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1. Moeris and Galatea

Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Moeris and Galatea

Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880-1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. William Tell's Chapel (vignette)

William Tell's Chapel (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Line engraving and etching; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 12 1/8 inches (43.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Sandy Knowe, or Smailholm Tower (Vignette)

Sandy Knowe, or Smailholm Tower (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Loch Achray

Loch Achray
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Diavoli Pescatori

Diavoli Pescatori
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. For Japaning, Where may be 200 Different Sorts

For Japaning, Where may be 200 Different Sorts
Creator:
Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper mounted on medium, textured, beige laid paper
Dimensions:
Mount: 9 1/2 x 14 inches (24.2 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Soul Hovering over the Body reluctantly Parting with Life

The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Lough Foyle, Londonerry

Lough Foyle, Londonerry
Creator:
John J. Hinchliff, 1805–1875
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/16 × 7 3/8 inches (16.4 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Summit of Cader Idris Mountain

The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View of Lichfield, The Birth Place of Dr. Samuel Johnson

View of Lichfield, The Birth Place of Dr. Samuel Johnson
Creator:
Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Chepstow Castle

Chepstow Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Italian Peasants - Tryoliean Waltz.

Italian Peasants - Tryoliean Waltz.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:
Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tintern Abbey

Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Cathedrals in England

Cathedrals in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Rural Scenes

Rural Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Beregonium

Beregonium
Creator:
Print made by Katharine Cameron, 1874–1965
Date:
1920
Materials & Techniques:
Drypoint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/4 inches (18.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

31. Plane Tree Cottage

Plane Tree Cottage
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1926
Materials & Techniques:
Etching and drypoint on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 1/16 x 11 1/8 inches (20.5 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. Dunstaffnage

Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 6 1/2 × 8 3/4 inches (16.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Sandy Knowe, or Smailholm Tower (Vignette)

Sandy Knowe, or Smailholm Tower (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1851
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Farewell - Lake of Como, II

A Farewell - Lake of Como, II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Fort Augustus (Vignette)

Fort Augustus (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Dunstaffnage

Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Fort Augustus

Fort Augustus
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Dunstaffnage

Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Fort Augustus

Fort Augustus
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Farewell - Lake of Como, II

A Farewell - Lake of Como, II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. A Farewell - Lake of Como, II

A Farewell - Lake of Como, II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Simmer Lake near Askrig

Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Simmer Lake near Askrig

Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Lake Albano

Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Lake Albano

Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching and line engraving, 1st state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching (Second State) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 inches (38.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Clearing Winds

Clearing Winds
Creator:
Print made by F. A. du Peyron, 1887–1930
Date:
1929
Materials & Techniques:
Etching and drypoint; bon à tirer proof on wove paper
Dimensions:
Plate: 4 1/2 x 10 7/8in. (11.4 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Margaret J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

59. Mountain Temples, Lake of Aboo

Mountain Temples, Lake of Aboo
Creator:
Print made by E. Benjamin, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

60. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Hills of Rannoch

No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, smooth, cream Asian paper
Dimensions:
Sheet: 13 7/16 x 14 inches (34.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Greek set

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Lake Lugano

No cover image available
Creator:
George Percival Gaskell, 1868–1934
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 10 11/16 inches (21.9 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

64. Derwentwater from Ashness Bridge

No cover image available
Creator:
Reginald Green, active 1910–1955
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 9/16 x 10 9/16 inches (39.5 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

65. The Summer Moon

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1905
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/16 x 12 13/16 inches (38.9 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. British General Headquarters at Montreuil

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1917
Materials & Techniques:
Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/2 x 17 7/16 inches (34.3 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. The Kirkstone Pass

No cover image available
Creator:
Print made by Oliver Hall, 1869–1957
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 8 11/16 inches (21.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

68. Ben Nevis

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Badenoch

No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 x 14 7/16 inches (24.9 x 36.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. Garelock

No cover image available
Creator:
Print made by Frederick A. Farrell, 1882–1935
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 15 5/8 inches (25.9 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

71. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Stanford, the Seat of Sir Edward Winnington, Baronet

No cover image available
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
undated
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection