A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
5
John Constable, 1776–1837
Cottage among Trees
ca. 1795
6
John Constable, 1776–1837
Trees and Deer
1825
7
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
8
attributed to Samuel Palmer, 1805–1881
Boxhill
1868
9
Samuel Palmer, 1805–1881
Cornfields with Barn, Shoreham
ca. 1829
10
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
11
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
12
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
13
Samuel Palmer, 1805–1881
The Primitive Cottage, Shoreham
undated
14
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
15
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
16
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
17
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Gourhausen
1817
18
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
19
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
20
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
21
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
22
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
23
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
24
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
25
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
26
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
27
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
28
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
29
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
30
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
31
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
32
Lt. Paul Sandby, ca. 1820
A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
ca. 1820
33
Lt. Paul Sandby, ca. 1820
A View of Carlisle Bay, Barbados, with Cottages
ca. 1820
34
Lt. Paul Sandby, ca. 1820
View of Carlisle Bay, Barbados, with Ships and Boat
ca. 1820
35
Sir George Howland Beaumont seventh Baronet, 1753–1827
Welsh Landscape
ca. 1800
36
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
37
unknown artist
Vale of Newlands, Cumberland
undated
38
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
39
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
40
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
41
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
42
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
43
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
44
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
45
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
46
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
47
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
48
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
49
Walter Geikie, 1795–1837
Humorous Family Scene
undated
50
Sir John Gilbert, 1817–1897
Wayfarers
undated
51
John Glover, 1767–1849
Two Little Girls
ca. 1810
52
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
53
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
54
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
55
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
56
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
57
Harry John Johnson, 1826–1884
Alicante, Spain
1853
58
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
59
Monro School
Near Sterzing, Tyrol
ca. 1800
60
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
61
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
62
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
1838
63
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
64
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
65
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
66
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
67
John Thomas Smith, 1766–1833
The Smock Exposed
1817
68
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
69
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
70
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
71
John Thomas Smith, 1766–1833
The Reconcilation
1817
72
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
73
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
74
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
75
Lt. Paul Sandby, ca. 1820
Goat Hill and Ships
ca. 1820
76
Charles Samuel Keene, 1823–1891
Street Scene
undated
77
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
78
Michel Jean Cazabon, 1813–1888
King's Wharf, and South Quay-Port of Spain
1851
79
Michel Jean Cazabon, 1813–1888
Custom House and St. Vincent's Wharf
1851
80
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
81
John Farey Jr., 1791–1851
Machinery for the Manufacture of Paper
ca. 1810
82
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
83
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
84
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
85
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
86
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
87
William Knight, active 1807–1845
Chiddingstone Place, View from the Lake
ca. 1850s
88
George Barret, ca. 1728/32–1784
River Bank With High Rocks
undated
89
Thomas Grieve, 1799–1882
Design for Covent Garden Drop Curtain
1823
90
William H. Overend, 1851–1898
The Wreck of the Apollo Frigate, 1803
undated
91
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
92
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
93
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
94
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
95
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
96
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
97
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
98
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats