Materials & Techniques: line engraving / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Associated Places: England / Image Use: Free to Use / Classification: Prints

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by unknown artist

Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by James T. Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by unknown artist

Crossing the Brook

undated

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by James T. Willmore, 1800–1863

The Old Téméraire

1845

Print made by John Cousen, 1804–1880

Folkestone

ca. 1844

Print made by Mollineux, active 1729

The Chedder Cliffs, Somersetshire

1810

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by unknown artist

Plate I. Memorials of the Commissioners for Improving Westminster, 1811

1811

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Print made by John Carter, 1748–1817

Plate XIX: St Stephen's Chapel

1811

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by John Le Keux, 1783–1846

Compartment on One Side, St Stephen's Chapel

1825

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by Thomas A. Woolnoth, 1785–1857

Plate III: Crypt under St Stephen's Chapel

ca. 1836

Print made by Charles Grignion, 1717–1810

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

Print made by unknown artist

Entrance of the House of Lords with the Office of Ordnance

undated

Print made by unknown artist

View of the Higher House of Parliament in England

ca. 1695

Print made by Henry Melville, active 1826–1841

The Kind Proroguing Parliament

1834

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Print made by William Deeble, active 1814–1849

The Parliament House, from Old Palace Yard, Westminster

1829

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by Augustus Charles Pugin, 1762–1832

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

Print made by John Thomas Smith, 1766–1833

Ceiling of the Star Chamber

1805

Print made by John Carter, 1748–1817

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by William Henry Toms, ca. 1700–ca. 1750

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by James Basire the younger, 1769–1822

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

1828

Print made by John Woods, active 1836–1860

Interior of the Star Chamber, Westminster

1848

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

Print made by Henry Melville, active 1826–1841

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Joseph C. Bentley, 1809–1851

Rievaulx Abbey

1834-1836

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Henry Melville, active 1826–1841

The House of Commons

1834

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Materials & Techniques line engraving

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Associated Places England

Image Use Free to Use

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Materials & Techniques line engraving

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Associated Places England

Image Use Free to Use

Classification Prints

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