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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms flowers (plants)
Remove constraint Subject Terms: flowers (plants)Search Results
1
- Oberon and Titania
- 1837
2
- Landscape with Three Trees
- undated
3
- Flowers in a Pitcher
- undated
4
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
5
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
6
- The Book of Thel, Plate 2, Title Page
- 1789
7
- The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
- 1789
8
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
9
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
10
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
11
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
12
- The Book of Thel, Plate 2, Title Page
- 1789
13
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
14
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
16
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
17
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
19
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
20
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
21
- The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
- 1789
22
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
23
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
24
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
25
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
26
- Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
- 1797
27
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
28
- Beside the Lily-Pond
- 1869
29
- The Land of Beulah
- 1881
30
- A Large Christmas Card
- 1895
31
- Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
- undated
32
- High Tor, Matlock
- undated
33
- Sunshine of Love
- 1837
34
- Flower Piece
- 1806
35
- The Spoiled Child, Scene III
- ca. 1802
36
- Rosebud, or the Judgement of Paris
- 1791
37
- Anne Page and Slender
- 1821
38
- Detail of Scrolled Acanthus Molding
- ca. 1779
39
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
40
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
41
- Mrs. Martha Udney
- undated
42
- Warren Hastings on his Arabian Horse
- ca. 1796
43
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
44
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
45
- "Mark your divorce young sir, whom son I dare not call"
- 1804
46
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
47
- The Belle of the Village
- 1854
48
- The Greengrocer
- ca. 1819
49
- Illustration to the Virtuous Orphan
- undated
50
- Chinese Flower Seller
- undated
51
- Showery June, Picardy
- between 1870 and 1880
52
- Bacharach and View near Bingen
- after 1850
53
- View near Bingen
- after 1850
54
- Eight colour prints
- after 1850
55
- Hampton Court
- after 1850
56
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
57
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
58
- Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
- after 1850
59
- Brackline
- 1826
60
- Le Silence Favorable
- 1826
61
- La Conversation
- 1826
62
- Tour aux Archives a Vernon
- 1824
63
- Loranthus globiferus
- undated
64
- Kanahia Laniflora and Crotalaria Pallida
- undated
65
- Jasmnium Dichtomum
- undated
66
- Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
- undated
67
- Kuraregh (Cucumis metuliferus)
- undated
68
- Crinum Schimperi
- undated
69
- Cuzzo (Hagenia abyssinica)
- undated
70
- Eight Rural Subjects
- after 1850
71
- Her Majesty Queen Victoria & Family
- ca. 1851
72
- Aitan Balalitti (Woodfordia uniflora)
- undated
73
- Trifolium Polystachyum and Trifolium Rueppellianum
- undated
74
- Deh Hack (Mussaenda arcuata)
- undated
75
- The Return Home
- 1830
76
- Bust of Shakespeare
- 1825
77
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
78
- James Paine
- undated
79
- Cupid Disarmed by Venus
- 1804
80
- Omnium Gatherum, No. 7
- undated
81
- An Old Coquette Outstood her Market
- between 1815 and 1820
82
- "This is fairy gold, boy, and will prove so"
- 1804
83
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
84
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
85
- Content and Innocence
- 1797
86
- The Shepherd
- between 1827 and 1836
87
- A Woman Sitting by the Window (Evening thou Bringest All)
- 1802, published 1806
88
- Pentre Ddu Bridge, North Wales
- 1863
89
- Cupid Wounded
- 1801
90
- Mrs. Abington as Thalia
- 1783
91
- The Beehive
- 1854
92
- Girl Pinning Flowers on a Hat
- undated
93
- Boy Tying a Girl's Shoe
- undated
94
- Paysanne de Mazovie; Paysan de Mazovie
- ca. 1810
95
- Credulity
- 1796
96
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
97
- Sir Gareth and Lady Lionesse
- ca. 1940
98
- A Landscape, with the Story of Europa
- 1802
99
- The Gardener's Offering
- between 1803 and 1805
100
- The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
- 1872