Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
2
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
5
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
6
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
7
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
10
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
11
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
12
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
18
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
19
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
20
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
27
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
28
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
29
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
30
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
34
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
35
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
36
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
39
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
43
Print made by James McArdell, ca. 1729–1765
Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
1762
44
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
45
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
46
Hubert-François Gravelot, 1699–1773
Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
undated
47
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
48
Print made by Charles Phillips, 1737– after 1783
Venus and Cupid
1766
49
Print made by Johann Jacobus Haid, 1704–1767
Vertumnus et Pomona
undated
50
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
51
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
52
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
53
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
54
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
55
Print made by John Smith, 1652–1743
The Triumph of Galatea
1701
56
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
57
Print made by John Watts, active 1766–1786
Van Dyke in the Character of Icarus
1778
58
Print made by Johann Jacobé, 1733–1797
Hebe
1780
59
Print made by James Watson, 1740–1790
Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'
1769
60
Print made by Edward Fisher, 1722–1785
Miss Morris as 'Hope Nursing Love'
1771
61
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
62
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
63
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
64
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
65
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
66
James Gillray, 1756–1815
Presages of the Millenium
1795
67
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
68
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
69
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
70
Print made by John Dean, 1754–1798
Mercury
1777
71
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
72
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
73
Print made by John Watts, active 1766–1786
Van Dyke in the Character of Icarus
1778
74
Print made by George Bickham the Elder, 1683/4–1758
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
75
Print made by Placido Columbani, born ca. 1744, active 1801
At Rome
undated
76
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
77
Print made by Placido Columbani, born ca. 1744, active 1801
At the Minerva at Rome
undated
78
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
79
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
80
Print made by Francesco Bartolozzi, 1728–1815
The Virgin
1778
81
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
82
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
83
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
84
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
85
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Mr. Cox's Museum
1772
86
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
87
Edward Fisher, 1722–1785
Hope Nursing Love
1771
88
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799
89
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
90
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
91
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
92
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
93
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
94
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
95
Thomas Girtin, 1775–1802
The Archangel Gabriel Awaiting Night
ca. 1799
96
Print made by John Dixon, ca. 1740–1811
The Oracle, Representing Britannia, Hibernia, Scotia and America
1774
97
John Deare, 1759–1798
Study of a sculptural group: Mars, Venus and Cupid