First Class—The Meeting. "And at first meeting loved."
1855
Not on view
3
Abraham Solomon, 1823–1862
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
1855
Not on view
4
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
5
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
6
Walter Richard Sickert, 1860–1942
La Belle Alliance
ca. 1916
Not on view
7
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
8
Agostino Brunias, 1728–1796
A West Indian Flower Girl and Two other Free Women of Color
ca. 1769
Not on view
9
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
10
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
11
Edmund Bristow, 1787–1876
The Rat Trap
early to mid-nineteenth century
Not on view
12
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
13
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
14
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
15
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
16
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
17
John Constable, 1776–1837
A Recollection of the New R.A
1837
18
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
19
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
20
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
21
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
22
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
23
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
24
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
25
Print made by Robert Wallis, 1794–1878
Taj Mahal, Agra
1831
On view at YUAG
26
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
27
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
28
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
29
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
30
Edward Lear, 1812–1888
Salahiyeh
1867
31
George Romney, 1734–1802
Seated Woman
undated
32
George Romney, 1734–1802
Deposition
undated
33
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
34
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
35
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
36
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
37
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
38
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
39
John William Inchbold, 1830–1888
In Richmond Park
1869
40
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
41
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
42
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
43
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
44
John Thomas Smith, 1766–1833
The Smock Exposed
1817
45
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
46
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
47
John Thomas Smith, 1766–1833
The Reconcilation
1817
48
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
49
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
50
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
51
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
52
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
53
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
54
Thomas Hearne, 1744–1817
The Welsh Curate
undated
55
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
56
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
57
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
58
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
59
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
60
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
61
William Henry Lake Price, ca. 1810–ca. 1896
The Pont Neuf
undated
62
David Roberts, 1796–1864
The Royal Palace, Madrid, 1832
1832
63
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
64
Thomas Hearne, 1744–1817
Haymaking
undated
65
unknown artist
A Forest Road
undated
66
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
67
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
68
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
69
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
70
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
71
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
72
unknown artist
Seated Woman
undated
73
William John Chamberlayne, 1821–1910
Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
undated
74
Print made by Richard Houston, ca. 1721–1775
Noon
1758
75
Print made by Richard Houston, ca. 1721–1775
Morning
1758
76
Print made by Richard Houston, ca. 1721–1775
Night
1758
77
Print made by Richard Houston, ca. 1721–1775
Evening
1758
78
Print made by Johann Simon Negges, 1726–1792
Mittag
undated
79
Print made by Richard Purcell, active 1746–1766
The Seamstress
undated
80
Print made by Richard Brookshaw, 1736–1804
The Ragged Concert
1770
81
Print made by M. A. Picot, 1782–1838
The Lord of the Vineyard Paying His Labourers
1771
82
Print made by Charles Howard Hodges, 1764–1837
Lady Dashwood & Child
1785
83
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
84
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as The Sempstress
1787
85
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
86
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
87
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
88
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
89
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
90
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
91
Print made by Henry Heath, active 1824–1835
Miss-Ann-Thropy
undated
92
Print made by unknown artist
Lady Time Present and Lady Time Past
1773
93
Print made by Francis E. Adams, active ca.1760–1775