On-site Access: Accessible by appointment in the Study Room / Associated Places: Italy / Classification: Prints

Print made by Joseph Mallord William Turner, 1775–1851

Catania, Sicily

ca. 1825

Print made by Joseph Mallord William Turner, 1775–1851

Catania, Sicily

ca. 1825

Edward Lear, 1812–1888

Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

1841

William Byrne, 1743–1805

A View in the Villa Madama, near Rome, called II Teatro

1765

Print made by Edward Goodall, 1795–1870

Florence

1827

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1818-1820

Print made by Edward Francis Finden, 1791–1857

Santa Maria della Spina

1832-1834

Print made by Edward Francis Finden, 1791–1857

The Castle of St. Angelo

1834

Print made by William Miller, 1796–1882

Placenza

1834

Print made by William Miller, 1796–1882

Placenza

1834

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by Robert Wallis, 1794–1878

Amalfi (vignette)

1830

Print made by Robert Wallis, 1794–1878

Amalfi (vignette)

1830

Print made by Edward Goodall, 1795–1870

Naples (vignette)

1830

Edward Goodall, 1795–1870

Naples

1830

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by Abraham Blooteling, 1640–1690

Hercules before the Temple of Janus

between 1680 and 1690

Print made by Abraham Blooteling, 1640–1690

Hercules before the Temple of Janus

between 1680 and 1690

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Henry Le Keux, 1787–1868

Villa Madama (vignette)

1830

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Landseer, 1769–1852

Cascade of Terni

1818-1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by Edward Francis Finden, 1791–1857

Genoa

1832-1834

Print made by Edward Goodall, 1795–1870

Lake of Nemi

ca. 1844

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Edward Goodall, 1795–1870

Naples

1829

Print made by Robert Wallis, 1794–1878

Amalfi

1829

Print made by Edward Goodall, 1795–1870

Florence

1827

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Robert Wallis, 1794–1878

Nemi

1838-1852

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Alfred Dawson, active 1860–1894

Val d'Aosta

1885

Print made by Charles Cameron, 1742–1812

Silver Vessel Found near the Temple of Jupiter at Rome

1775

Thomas Bowles, ca. 1712–died 1753

A View of Little St. Mark's Place at Venice to the Sea

between 1780 and 1815

Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Remi Parr, active 1723–1750

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

between 1780 and 1815

Remi Parr, active 1723–1750

A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side..

undated

Carington Bowles The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

Carington Bowles, 1724–1793

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V

Nathaniel Parr The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

Nathaniel Parr, active 1742–1751

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women

undated

Carington Bowles, 1724–1793

The Inside of St. Paul's Church in Rome built by Constantine the Great..

Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Nathaniel Parr, active 1742–1751

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

between 1780-1815

Thomas Bowles A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Thomas Bowles, ca. 1712–died 1753

A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol

undated

Thomas Bowles, ca. 1712–died 1753

A View of Florence from the Convent of Capuchins at Montugi

undated

Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Nathaniel Parr, active 1742–1751

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

between 1780-1815