Materials & Techniques: laid paper / Genre: genre subject / Image Available: Available / Subject Terms: walking

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

William Pars, 1742–1782

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Robert Adam, 1728–1792

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

between 1770 and 1780

Michael "Angelo" Rooker, 1746–1801

The Gate at Blenheim

1787

Paul Drury, 1903–1987

After Work

1926

John Varley, 1778–1842

Linlithgow Palace

undated

Paul Sandby, 1731–1809

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

1802

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Print made by Thomas Bowles, ca. 1712–died 1753

The Admiralty Office

1731

Print made by John Browne, 1741–1801

The Sportsman

1775

Master of the Wire Line, 18th century

Country Scene: Cottage and Figures on a Winding Road

undated

unknown artist

Design for Wall Paper

ca. 1760

John Varley, 1778–1842

View of New Street, near London Bridge

undated

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Choquer

1821

Attributed to Jacob Gole, 1660–1737

Lady and Child

undated

Thomas Hearne, 1744–1817

The Gateway of Lancaster Castle

ca. 1778

Paul Arthur Hogarth, 1917–2001

At the Curragh Races

undated

Print made by John Robert Cozens, 1752–1797

Bath: Queen Square

1773

Print made by Robert Bryden, 1865–1939

Auld Brig, Ayr

1904

Print made by James Bretherton, ca. 1730–1806

A Maid

1774

Robert Charles Goff, 1837–1922

Harbor Scene

undated

James Seymour, 1702–1752

Rider With a Draw-Rein, Walking to Left

undated

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Thomas Rowlandson, 1756–1827

An Officer and his Servant

undated

Thomas Rowlandson, 1756–1827

Place des Victoires, Paris

ca. 1783

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by Charles William Cain, 1893–1962

The Highland Ferry, Scotland

undated

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Thomas Rowlandson, 1756–1827

An Elderly Buck walking with a Lady

between 1810 and 1820

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by Charles Bretherton, ca. 1760–1783

Lady Pointing with a Stick

1782

Print made by Henry William Bunbury, 1750–1811

Paysan des Alpes

1769-1770

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by Alfred East, 1849–1913

View of Arched Doorway

undated

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Sir Francis Seymour Haden, 1818–1910

Hampton Court

1864

Print made by Philip Gilbert Hamerton, 1834–1894

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Print made by Charles William Cain, 1893–1962

120 Degrees, Tigris

ca. 1926

Charles William Cain, 1893–1962

Irrawaddy Nights

undated

Print made by Charles William Cain, 1893–1962

The Return

undated

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

Print made by Sir Francis Seymour Haden, 1818–1910

The Towing Path

1864

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

John Varley, 1778–1842

Ouse Bridge, York

undated

Print made by John Browne, 1741–1801

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Print made by unknown artist

A View of Campo Vaccino at Rome

undated

Print made by unknown artist

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745