Collection: Prints and Drawings / Genre: religious and mythological subject / Subject Terms: trees

1. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 38, "His face and bosom...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. America. A Prophecy, Plate 4, "Silent as despairing love...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. America. A Prophecy, Plate 18, "Over the Hills...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Poems of Thomas Gray, Design 53, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 57, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jerusalem, Plate 49, "The secret coverts of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Apollo and Daphne

Creator:: Master of the Giants, active 1779
Date:: between 1770 and 1799
Materials & Techniques:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Adam and Eve

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Baptism of Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cain and Abel

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Christ with Three Figures

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Rising of the Waters

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Woman at the Well

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Madonna with a Rabbit

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 3/4 inches (12.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, brown chalk, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

76. Christ Appears to Mary Magdalene (John 20:13-14)

Creator:: Richard Westall, 1765–1836
Date:: before 1836
Materials & Techniques:: Graphite with red pencil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 x 4 3/8 inches (14.6 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Moses in the Bulrushes

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 14 5/16 inches (29.8 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Adonis dies in the arms of Venus

Creator:: Print made by Wallerant Vaillant, 1623–1677
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/16 × 12 3/16 inches (38.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 3/16 × 28 1/2 inches (58.9 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Study for Saint Sebastian

Creator:: James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Pen and brown ink, gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Love

Creator:: Print made by William Say, 1768–1834
Date:: c.1813
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Mercury

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 x 12 3/8 inches (43.2 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Madona col Bambino

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Classical Scene: Minerva as the Goddess of Arts and Sciences

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Rape of Persephone

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. St. Nil

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1762
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Rich Man and Lazarus

Creator:: Print made by John Baptist Jackson, 1701–1780
Date:: 1743
Materials & Techniques:: Chiaroscuro woodcut
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Ralph Kirkpatrick, Yale MA (HON.) 1965

90. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Christ's Charge to Peter

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Bacchante

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Landscape, with the Story of Apollo and Marsyas

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1775
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

95. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

96. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Hope Nursing Love

Creator:: Edward Fisher, 1722–1785
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/8 inches (50.5 × 35.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Allegorical Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Image: 2 1/16 × 9 3/4 inches (5.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 15/16 × 9 3/8 inches (10 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Genre religious and mythological subject

Subject Terms trees

Search Results

1. The Vine

2. The Cypress Grove

3. The Morning of Life

4. The Vine

5. The Vine

6. The Vine

7. Christ and the Woman of Samaria

8. Glaucus and Scylla

9. Glaucus and Scylla

10. Glaucus and Scylla

11. Apuleia in Search of Apuleius

12. Apuleia in Search of Apuleius

13. The Deluge

14. Rispah: 2nd Book of Samuel, Chap. 21

15. Jason

16. Procris and Cephalus

17. Jerusalem, Plate 11, "To labours mighty...."

18. Jerusalem, Plate 37, "And One stood forth...."

19. Jerusalem, Plate 38, "His face and bosom...."

20. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

21. For the Sexes: The Gates of Paradise, Plate 4, "Water"

22. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

23. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

24. America. A Prophecy, Plate 4, "Silent as despairing love...."

25. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

26. America. A Prophecy, Plate 14, "So Cried He...."

27. America. A Prophecy, Plate 16, "In the Flames Stood...."

28. America. A Prophecy, Plate 18, "Over the Hills...."

29. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

30. The Poems of Thomas Gray, Design 53, "The Bard."

31. The Poems of Thomas Gray, Design 65, "The Bard."

32. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

33. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

34. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

35. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

36. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

37. The Book of Thel, Plate 4, "Why should the mistress . . . ."

38. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

39. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

40. The Poems of Thomas Gray, Design 97, "Ode for Music."

41. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

42. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

43. The Poems of Thomas Gray, Design 55, "The Bard."

44. The Poems of Thomas Gray, Design 57, "The Bard."

45. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

46. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

47. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

48. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

49. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

50. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

51. Jerusalem, Plate 49, "The secret coverts of Albion...."

52. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

53. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

54. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

55. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

56. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

57. Jerusalem, Plate 76

58. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

59. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

60. Apollo and Daphne

61. The Rescue of Lot

62. Adam and Eve

63. The Baptism of Christ

64. Cain and Abel

65. Christ with Three Figures

66. The Daughters of Jerusalem Weeping by the Waters of Babylon

67. The Rising of the Waters

68. The Woman at the Well

69. Madonna with a Rabbit

70. Illustration to Tonson's Ovid Metamorphosis (two of four)

71. One of eighteen designs for a series of plates illustrating Venus and Adonis

72. One of eighteen designs for a series of plates illustrating Venus and Adonis

73. Florence, from the Chiesa al Monte