Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
12
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
13
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
14
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
15
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
16
unknown artist
Boats and Men on Beach
undated
17
John Linnell, 1792–1882
Woodcutters in a Forest
undated
18
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
19
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
20
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
21
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
22
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
23
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
24
unknown artist
Church Interior
undated
25
unknown artist
Harbor
undated
26
unknown artist
Moonlit Scene of Castle and Ships
undated
27
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
28
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
29
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
30
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
31
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
32
John Thomas Smith, 1766–1833
The Reconcilation
1817
33
unknown artist
River Landscape with Men Fishing and Cattle
undated
34
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
35
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
36
William James Muller, 1812–1845
The Church of the Holy Sepulchre
between 1838 and 1840
37
Charles Williams, active 1796–1830
The Union Club
undated
38
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
39
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
40
Thomas Rowlandson, 1756–1827
Angry Scene in a Street
between 1805 and 1810
41
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
42
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
43
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
44
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
45
Samuel Prout, 1783–1852
A Stiff Breeze
ca. 1805
46
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
47
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
48
James Pollard, 1792–1867
The Meat Market
undated
49
James Pollard, 1792–1867
The Poultry Market
undated
50
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
51
Benjamin Robert Haydon, 1786–1846
Study of a Biblical Scene
undated
52
Benjamin Robert Haydon, 1786–1846
Figure Studies of the Virgin Mary
undated
53
Benjamin Robert Haydon, 1786–1846
Study of Two Male Nudes
1804
54
Benjamin Robert Haydon, 1786–1846
Pharaoh and Moses
1813
55
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
56
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
57
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
58
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
59
Robert Smirke, 1752–1845
Oberon and Puck
1825
60
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
61
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
62
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
63
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
64
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
65
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
66
Thomas Rowlandson, 1756–1827
Dr Syntax Meditating on the Tombstones
1820
67
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
68
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
69
Thomas Rowlandson, 1756–1827
Dr. Syntax Attends the Execution
1820
70
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
71
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
72
Thomas Rowlandson, 1756–1827
Mother Bundle in a Rage or Too late for the Stage
ca. 1809
73
Thomas Rowlandson, 1756–1827
Quakers' Meeting
ca. 1810
74
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
75
Thomas Rowlandson, 1756–1827
Three Full-Length Figures of Men Talking
ca. 1815
76
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
77
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
78
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
79
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
80
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
81
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
82
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
83
Charles Samuel Keene, 1823–1891
The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
ca. 1877
84
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
85
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
86
Edward Allen Everitt, 1824–1882
Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box
undated
87
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
88
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
89
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
90
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
91
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
92
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
93
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
94
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
95
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
96
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
97
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
98
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
99
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass