The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
9
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
10
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
11
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
12
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
13
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
14
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
15
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
16
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
17
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
18
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
19
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
20
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
21
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
22
Print made by Robert Wallis, 1794–1878
Saumur
1830
23
Print made by Robert Wallis, 1794–1878
Saumur
1830
24
Print made by Robert Wallis, 1794–1878
Havre
1833
25
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
26
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
27
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
28
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
29
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
30
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
31
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
32
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
33
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
34
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
35
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorset
1813
36
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
37
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
38
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
39
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
40
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
41
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1815
42
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1815
43
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
44
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
45
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
46
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
47
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
48
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
49
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
50
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814-1826
51
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
52
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
53
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
54
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1821
55
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
56
Print made by William Bernard Cooke, 1778–1855
Margate
1822
57
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
58
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1824
59
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
60
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
61
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
62
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
63
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
64
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
65
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
66
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
67
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
68
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
69
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
70
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
71
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1814 to 1826
72
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
73
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
74
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
75
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
76
Print made by Robert Brandard, 1805–1862
Beaugency
1833
77
Print made by Robert Brandard, 1805–1862
Tours
1833
78
Print made by Robert Brandard, 1805–1862
Rietz near Saumur
1833
79
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
80
Print made by James T. Willmore, 1800–1863
Tancarville
1834
81
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
82
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
83
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
84
Print made by John Cousen, 1804–1880
Honfleur
1834
85
Print made by William Miller, 1796–1882
Rouen, looking down the river
1834
86
Print made by James T. Willmore, 1800–1863
Vernon
1835
87
Print made by William Radclyffe, 1780–1855
Mantes
1835
88
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
89
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
90
Print made by Edward Francis Finden, 1791–1857
Bridge of St. Cloud from Sevres
1835
91
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
92
Print made by James T. Willmore, 1800–1863
The Lanterne of St. Cloud
1835
93
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
94
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
95
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1856
96
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
97
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
98
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
99
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
100
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde