Image Use: Free to Use / Subject Terms: horses (animals) and landscape

201. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Foxhunting: Going to Draw Cover...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Hounds Followed by Three Riders

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 9 1/8 inches (19.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Netting Deer in Richmond Park

Creator:: Sir George Hayter, 1792–1871
Date:: undated
Materials & Techniques:: Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. An Elopement by Moonlight

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: 1834
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Foxhunting: Unkennelling the Pack

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 19 3/16 inches (32.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Foxhunting: Near the Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Foxhunting: The Death

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Foxhunting: Full Cry

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Foxhunting: The Kill

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and black ink, over graphite, with gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 18 1/2 inches (32.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Netting Partridges

Creator:: Thomas Ross, active from 1753
Date:: ca. 1750
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Hare Hunting: The Kill

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Pen and brown ink, and red chalk on medium, smooth, beige laid paper
Dimensions:: Sheet: 3 7/8 × 11 9/16 inches (9.8 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Stag Hunting

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 15/16 × 14 9/16 inches (22.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. A Hunting Party

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 1/16 inches (26.8 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

221. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

Creator:: Justinian Gantz, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1805
Materials & Techniques:: Watercolor, pen and gray ink, black ink, blue ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A Prospect of St. James's Park

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Castles in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Abbotsford

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

Creator:: Paul Sandby, 1731–1809
Date:: 1794
Materials & Techniques:: Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:: Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

234. A Water-Wheel Driving a Transporter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and black ink; verso: pen and black ink, gray ink, pastel, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Landscape with a Hunting Party

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Everett V. Meeks, B.A. 1901, Fund

236. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

Creator:: unknown artist
Date:: between 1713 and 1718
Materials & Techniques:: Gouache, watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 13 inches (14.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Going out of Kennel

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Riders and Hounds in an Open Landscape

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. A Boar Hunt

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. A Mail Coach in a Hilly Landscape

Creator:: William Makepeace Thackeray, 1811–1863
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 5/8 × 8 7/8 inches (6.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. A View from Richmond Hill up the River

Creator:: Francois Vivares, 1709–1780
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. A Hay Wagon Drawn by Four Horses

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Coursing: Setting Out

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. The Return from Coursing

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 11/16 inches (18.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Return From the Chase, After a Fall

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A Chaise and Pair, With Post-Boy

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 14 3/4 inches (18.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Salmon Spearing

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 1/4 inches (21.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The London-Dover Royal Mail, c. 1830-1840

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The London-Dumphries Royal Mail

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: between 1830 and 1840
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Myles Sandys' Hounds and Huntsmen Scenting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, gray wash, and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 13/16 inches (30.5 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. A Hawking Party

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Landscape With Figures and a Wagon

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: watercolor on medium, rough, beige laid paper
Dimensions:: Sheet: 4 1/16 × 6 3/4 inches (10.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1842
Materials & Techniques:: Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted on stretched canvas
Dimensions:: Sheet: 12 1/8 × 20 inches (30.8 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Building a Hayrick

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Harvest Time

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 7 x 20 5/8 inches (17.8 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Foxhunting: Full Cry

Creator:: George Alken, 1794–active 1837
Date:: between 1827 and 1837
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. "Doing the Thing: and the Thing Done:" Doing the Down Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Point-to-Point Racing

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Craigievar Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 1/8 x 14 7/16 inches (25.7 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

295. Horses and a Cart at a Sandpit

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Valley of Stones, Lynton, Devon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

202. Foxhunting: Going to Draw Cover...

203. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

204. Hounds Followed by Three Riders

205. Netting Deer in Richmond Park

206. Racing Scene

207. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

208. An Elopement by Moonlight

209. Foxhunting: Unkennelling the Pack

210. Foxhunting: Near the Death

211. Foxhunting: The Death

212. Foxhunting: Full Cry

213. Foxhunting: The Kill

214. Netting Partridges

215. The St. Leger, Doncaster: Preparing to Start

216. Hare Hunting: The Kill

217. Stag Hunting

218. A Hunting Party

219. Clare Hall

220. A Race Meeting at Newmarket Heath

221. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

222. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

223. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

224. A Prospect of St. James's Park

225. Castles in England

226. Osborne House

227. Campos sur les bords du Rio das Velhas

228. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

229. A View of the Bridge at Walton-on-Thames in Surrey

230. Dido and Aeneas; The Morning of the Chase

231. A View from Richmond Hill Up the River

232. Abbotsford

233. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

234. A Water-Wheel Driving a Transporter

235. Landscape with a Hunting Party

236. London from Highgate Hill

237. Falls on the River Conwy, North Wales

238. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

239. Going out of Kennel

240. Riders and Hounds in an Open Landscape

241. A Boar Hunt

242. A Mail Coach in a Hilly Landscape

243. "You're Not Going to Follow, Belle, Are You?"

244. A View from Richmond Hill up the River

245. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

246. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

247. A Hay Wagon Drawn by Four Horses

248. Coursing: Setting Out

249. The Check

250. Going to Cover

251. Full Cry

252. Dosing a Racehorse

253. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

254. The Return from Coursing

255. Return From the Chase, After a Fall

256. A Chaise and Pair, With Post-Boy

257. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

258. Salmon Spearing

259. The London-Dover Royal Mail, c. 1830-1840

260. The London-Dumphries Royal Mail

261. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

262. The Canterbury-Dover Coach Passing Vanbrugh Castle

263. Myles Sandys' Hounds and Huntsmen Scenting a Hare

264. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

265. A Hawking Party

266. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

267. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

268. The Leicestershire Hunt - The Death

269. Hunting Scene: The Meet

270. Haymaking

271. Landscape With Figures and a Wagon

272. Foxhunting: Drawing Covert

273. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'