Materials & Techniques: laid paper / On-site Access: Accessible by appointment in the Study Room / Subject Terms: architectural subject and church

1. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Design for a Church: Elevation of the West Front

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 9 3/8 inches (25.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Capel Church, Near Dorking, Surrey

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, blue white laid paper
Dimensions:: Sheet: 8 5/8 × 11 15/16 inches (21.9 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Creator:: Thomas Hearne, 1744–1817
Date:: 1778
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Herstmonceux Castle, East Sussex: View

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Monument of Thomas Fiennes

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Croydon Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Plans of Ancient Roman Church: 4. Terme di Tito

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Icklesham Church

Creator:: Imitator of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. In Saint Paul's Church, One of the Choir Doors

Creator:: Wenceslaus Hollar, 1607–1677
Date:: between 1656 and 1658
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Boston Church, Lincolnshire

Creator:: J. Harrison, active 1821
Date:: 1821
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:: Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Tudor Manor House and Church

Creator:: Claude de Jongh, ca. 1600–1663
Date:: 1625
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Netley Abbey

Creator:: John Linnell, 1792–1882
Date:: 1810
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Bushey Church from the South West

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Secundini Monument at Ighel in the Duchy of Luxembourg

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:: between 1581 and 1586
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 14 1/8 inches (31.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:: between 1581 and 1586
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/8 inches (39.4 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Panthei Fidelissime Dimensi Exterior et Interior

Creator:: Print made by unknown artist
Date:: 1553
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Panthei Fidelissime Dimensi Exterior et Interior

Creator:: Print made by unknown artist
Date:: 1553
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 18 3/4 inches (36.5 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Cathedral Church of Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1793
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Rumburgh Priory Church, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Salisbury Cathedral

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Wimborne Minster, Dorset, Englad

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Church of St. John, Peronne (Somme)

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

76. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. By Twickenham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

78. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Grange and St. Augustine's, Ramsgate, Kent

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: ca. 1848
Materials & Techniques:: Halftone on medium, smooth, beige laid paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Amsbury Abbey, Wiltshsire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Old Church Portland

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Tewkesbury Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. The Pool

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. Sutton

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1912
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 inches (33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

86. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 8 inches (15.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

87. Anstey

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1902
Materials & Techniques:: Etching; early plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 8 7/8 inches (27 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. Priory Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching, engraver's proof, third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. The Ford

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 3rd State on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 12 inches (21 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

90. Barnack

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. Ashwell

Creator:: Printed by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. The Pool

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. Christ Church, Oxford

Creator:: Print made by unknown artist
Date:: 1907
Materials & Techniques:: Drypoint on thick, smooth, cream laid paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

94. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

95. The Minister

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 74 inches (27.3 × 188 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

96. St. Gervais

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 13 5/8 inches (42.9 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

97. The Minister

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

98. San Lorenzo

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 13 9/16 inches (42.9 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

99. The Minister

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1924
Materials & Techniques:: Etching; 7th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

100. Totterne Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 9 inches (15.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Materials & Techniques laid paper

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Search Results

1. Abbey Church at St. Albans

2. Temple of Venus and Rome from the Colosseum

3. Design for a Church: Elevation of the West Front

4. Capel Church, Near Dorking, Surrey

5. Westminster Abbey and Bridge from Somerset Garden

6. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

7. Dinant, No. 1: Southwest View

8. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

9. Herstmonceux Castle, East Sussex: View

10. The Monument of Thomas Fiennes

11. Croydon Church

12. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

13. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

14. Bath: The South Parade

15. Badminton Church and Part of the Duke of Beaufort's House

16. Design for a Church. Elevation of West Front

17. Plans of Ancient Roman Church: 4. Terme di Tito

18. View of Leiston Abbey

19. Icklesham Church

20. The Ruins of Leiston Abbey

21. In Saint Paul's Church, One of the Choir Doors

22. Boston Church, Lincolnshire

23. A Tudor Manor House and Church

24. Netley Abbey

25. Bushey Church from the South West

26. The Manse, Cults, Fife: The Artist's Old Home

27. The Rialto, Venice

28. The Rialto, Venice

29. The Rialto, Venice

30. Richmond, Yorkshire

31. The Secundini Monument at Ighel in the Duchy of Luxembourg

32. Little Missenden Church from the Southeast

33. Cologne

34. Cologne

35. Cologne

36. Maxstoke Priory

37. Pantheum Romanum nunc Mariae Cognomento

38. Pantheum Romanum nunc Mariae Cognomento

39. Pantheum Romanum nunc Mariae Cognomento

40. Panthei Fidelissime Dimensi Exterior et Interior

41. Panthei Fidelissime Dimensi Exterior et Interior

42. St. Martin's Church

43. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

44. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

45. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

46. Springing of an Arch, St Stephen's Chapel

47. New East Front, St Stephen's Chapel

48. Plan of Moldings, St Stephen's Chapel

49. Plan of Moldings, St Stephen's Chapel

50. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

51. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

52. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

53. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

54. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

55. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

56. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

57. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

58. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

59. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

60. Sellenger

61. Details of the Screen of Entrance Porch, St Stephen's Chapel

62. Entrance Doorway in the Tower, St Stephen's Chapel

63. Half the Plan of Ceiling, St Stephen's Chapel

64. Impost and Base of Columns, St Stephen's Chapel

65. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

66. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

67. Edgar's Tower at Worcester

68. The Cathedral Church of Worcester

69. Blockley Church

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

71. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

72. Rumburgh Priory Church, Suffolk, England