The City of Westminster from Near the York Water Gate
between 1746 and 1747
4
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
5
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
6
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
7
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
8
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
9
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
10
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
11
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
12
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
13
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
14
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
17
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
18
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
19
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
20
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
30
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
31
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
32
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
33
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
36
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
37
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
38
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
39
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
40
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
41
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
42
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
43
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
51
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
53
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
69
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
70
unknown artist
Grave of the Supposed William Lyndewode
1852
71
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
72
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
73
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
74
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
75
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
76
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
77
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
78
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
79
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
80
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
81
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
82
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
83
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
84
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
85
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
86
George Harley, 1791–1871
Ruins of Westminster Palace
1834
87
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
88
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
89
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
90
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
91
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
92
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
93
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
94
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
95
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard