Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Subject Terms: church

1. Ruin of St. Botolph's Priory, Colchester

Creator:: John Constable, 1776–1837
Date:: ca. 1809
Materials & Techniques:: Black and brown chalk over graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 14 7/8 inches (43.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study of Old Buildings

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Thatched Cottage and Church

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 4 1/8 inches (7.9 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Shoreham, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 x 4 3/8 inches (7.6 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Salisbury Cathedral From the Meadows

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Wormingford Church

Creator:: attributed to John Constable, 1776–1837
Date:: between 1813 and 1815
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Leatherhead Church, Near Epsom, from the Northeast

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Stoke Poges Church

Creator:: John Constable, 1776–1837
Date:: 1834
Materials & Techniques:: Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Two Studies of Dedham Church from the East

Creator:: John Constable, 1776–1837
Date:: between 1806 and 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Sleeping Congregation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. South Porch and Tower of an Unidentified Church

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1790 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 5 inches (20.6 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Poems of Thomas Gray, Design 31, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 32, "Leaning against the pillars...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Essex Chantry, Watford Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Tyn Dhu Mill, North Wales

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Old Church and House

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Wandshorst Church Surrey

Creator:: George Sidney Shepherd, 1784–1862
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Croydon Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Boston Church, Lincolnshire

Creator:: J. Harrison, active 1821
Date:: 1821
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:: Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Old Chelsea Church

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Edinburgh

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Two Riders Fording a River

Creator:: Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash over graphite with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Tudor Manor House and Church

Creator:: Claude de Jongh, ca. 1600–1663
Date:: 1625
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Aldenham Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. In Saint Paul's Church, One of the Choir Doors

Creator:: Wenceslaus Hollar, 1607–1677
Date:: between 1656 and 1658
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Minster

Creator:: James Duffield Harding, 1798–1863
Date:: 1861
Materials & Techniques:: Graphite and gouache on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Konigstein

Creator:: Charles Gore, 1729–1807
Date:: 1789
Materials & Techniques:: Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of Dürrenstein

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lorch on the Rhine

Creator:: Charles Gore, 1729–1807
Date:: between 1790 and 1799
Materials & Techniques:: Watercolor over graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 21 3/8 inches (19.4 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Castle on the Sea Coast

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Santa Maria della Salute

Creator:: Cecil Eldred Hughes, 1875–
Date:: 1929
Materials & Techniques:: Watercolor, gouache and black chalk on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Widecombe Village

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Bushey Church from the South West

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Portico of St. Martin-in-the-Fields

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1862
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Landscape with Trees and Church Spire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 13/16in. (18.4 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Saumur

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slighty textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Rouen, looking up the River

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, smooth textured, cream wover paper
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, third state
Dimensions:: Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Fish Market, Rotterdam

Creator:: Print made by W. Floyd, active 1845
Date:: 1834-1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 5/8 inches (25.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Birmingham

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 11 1/4 inches (44.8 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of Exeter College, All Saints Church, etc. from the Turl

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. An Old Hanse Town

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: undated
Materials & Techniques:: Drypoint and etching on thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/16 × 9 1/16 inches (31.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Grange and St. Augustine's, Ramsgate, Kent

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: ca. 1848
Materials & Techniques:: Halftone on medium, smooth, beige laid paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Christmas (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Troyes

Creator:: James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 7/16 x 14 15/16 inches (54.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Verona, Hay Barge on the Medway, and a Calvary (three prints)

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: after 1833
Materials & Techniques:: Transfer lithograph on medium, moderately textured, cream laid paper, with beige chine collé
Dimensions:: Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A French Physician with His Retinue Going to Visit His Patients

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Overthrow of Dr. Slop

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Rouen, looking up the River

Creator:: Print made by Sigismond Himely, 1801–1872
Date:: undated
Materials & Techniques:: Lithographi, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Engraving and etching (Second State) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 5/8 inches (32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hornby Castle, from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1822
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1821
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, 2nd state on moderatle thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1836
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Subject Terms church

Search Results

1. Ruin of St. Botolph's Priory, Colchester

2. The Bellman

3. The Rising Moon

4. The Rising Moon

5. The Bellman

6. The Rising Moon

7. The Rising Moon

8. The Rising Moon

9. Study of Old Buildings

10. Thatched Cottage and Church

11. Shoreham, Kent

12. Cornfield and Church by Moonlight

13. The Ruins of Netley Abbey

14. Fulham Church from across the River

15. Salisbury Cathedral From the Meadows

16. Wormingford Church

17. View near Arundel

18. Leatherhead Church, Near Epsom, from the Northeast

19. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

20. Stoke Poges Church

21. Two Studies of Dedham Church from the East

22. The Sleeping Congregation

23. North East View of Grantham Church, Lincolnshire

24. South Porch and Tower of an Unidentified Church

25. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

26. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

27. The Poems of Thomas Gray, Design 31, "A Long Story."

28. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

29. The Poems of Thomas Gray, Design 97, "Ode for Music."

30. Jerusalem, Plate 32, "Leaning against the pillars...."

31. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

32. The Widow Embracing Her Husband's Grave

33. The Essex Chantry, Watford Church

34. Tyn Dhu Mill, North Wales

35. Westminster Abbey from Dean's Yard

36. Old Church and House

37. Wandshorst Church Surrey

38. Croydon Church

39. Boston Church, Lincolnshire

40. Old Chelsea Church

41. Edinburgh

42. The Ruins of Leiston Abbey

43. Two Riders Fording a River

44. A Tudor Manor House and Church

45. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

46. Aldenham Church

47. In Saint Paul's Church, One of the Choir Doors

48. Minster

49. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

50. Konigstein

51. View of Dürrenstein

52. Lorch on the Rhine

53. Castle on the Sea Coast

54. Santa Maria della Salute

55. Widecombe Village

56. Bushey Church from the South West

57. The Portico of St. Martin-in-the-Fields

58. Ambulatory, Westminster Abbey

59. Landscape with Trees and Church Spire

60. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

61. Saumur

62. Quilleboeuf

63. Château de la Mailleraie

64. Honfleur

65. Rouen, looking up the River

66. Mantes

67. Fish Market, Rotterdam

68. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

69. Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

70. Inverness

71. Birmingham

72. Ehrenbreitstein (Vignette)

73. View of Exeter College, All Saints Church, etc. from the Turl