Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
2
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
3
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
4
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
5
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
6
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
7
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
8
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
9
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
10
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
11
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
12
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
13
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
14
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
16
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
17
William Payne, active 1850s
Private View of the Royal Academy
1858
18
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
19
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
37
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
38
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
39
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
40
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
41
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
42
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
43
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
44
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
49
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
50
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
51
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
52
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
53
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
54
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
55
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
64
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
65
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
66
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
67
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
68
George Harley, 1791–1871
Ruins of Westminster Palace
1834
69
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
70
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
71
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
76
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
77
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
78
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
79
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
80
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
81
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
82
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
84
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
85
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
86
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
87
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
88
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
89
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
90
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
91
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
92
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
93
Attributed to John Carter, 1748–1817
Springing of groins
1815
94
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
95
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
96
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
97
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
98
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
99
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
100
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June