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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms trees
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1
- The Vine
- 1852
2
- The Vine
- 1852
3
- The Morning of Life
- 1860-1861
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
7
- Procris and Cephalus
- 1812
8
- Jason
- 1807
9
- Glaucus and Scylla
- between 1813 and 1823
10
- Glaucus and Scylla
- between 1813 and 1823
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
13
- Glaucus and Scylla
- 1813 to 1823
14
- Christ and the Woman of Samaria
- 1819
15
- Apuleia in Search of Apuleius
- between 1813 and 1823
16
- The Deluge
- between 1813 and 1823
17
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
18
- A Widower and Children (Design 35)
- between 1797 and 1798
19
- Infant Joy (Plate 14)
- 1789
20
- The Little Boy Lost (Plate 20)
- 1789
21
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
22
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
23
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
24
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
25
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
26
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
27
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
28
- The Divine Image (Plate 12)
- 1789
29
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
30
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
31
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
32
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
33
- A Welch Bard (Design 53)
- between 1797 and 1798
34
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
35
- Frontispiece (Plate 1)
- ca. 1788
36
- Spring (Plate 26)
- 1789
37
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
38
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
39
- Aged Ignorance (Plate 13)
- 1826
40
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
41
- "My son! my Son!" (Plate 10)
- 1826
42
- "I found him beneath a Tree" (Plate 3)
- 1826
43
- Water (Plate 4)
- 1826
44
- Alas! (Plate 9)
- 1826
45
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
46
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
47
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
48
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
49
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
50
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
51
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
52
- Title Page, The First Book of Urizen (Plate 1)
- 1794
53
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
54
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
55
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
56
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
57
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
58
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
59
- The Baptism of Christ
- undated
60
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
61
- The Rescue of Lot
- 1833
62
- Adam and Eve
- undated
63
- Cain and Abel
- undated
64
- The Rising of the Waters
- undated
65
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
66
- The Woman at the Well
- undated
67
- Christ with Three Figures
- undated
68
- Apollo and Daphne
- between 1770 and 1799
69
- Madonna with a Rabbit
- undated
70
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
71
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
72
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
73
- The Rape of Persephone
- undated
74
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
75
- Florence, from the Chiesa al Monte
- 1820
76
- Florence, from the Chiesa al Monte
- 1820
77
- Reverend Richard Robinson, Archibishop of Armagh
- 1775
78
- The Convent of St. Nicholas
- 1802-1804
79
- Madona Col Bambino
- 1791
80
- Mercury and Argus
- 1841
81
- The Satyrs
- 1937
82
- Dido and Aeneas; The Morning of the Chase
- 1842
83
- Epiphany
- 1919
84
- Miss Morris as 'Hope Nursing Love'
- 1771
85
- Mercury
- 1777
86
- Moses in the Bulrushes
- 1786
87
- Alope
- 1787
88
- Adonis dies in the arms of Venus
- undated
89
- Susanna and the Elders
- 1769
90
- Florence, from the Chiesa al Monte
- 1820
91
- Pyramus and Thisbe
- undated
92
- Nymphs Bathing
- undated
93
- Venus Holding the Apple of Paris
- 1695
94
- Tobit and the Angel
- undated
95
- Flora and Putti
- undated
96
- Venus Bathing
- undated
97
- Virgin and Child
- undated
98
- Madonna, Child, and Angel
- undated
99
- Sensibility
- 1789
100
- Sensibility
- 1789