Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
2
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
4
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
5
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
6
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
7
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
8
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
9
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
10
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
11
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
12
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
13
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
14
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
15
Samuel Hieronymus Grimm, 1733–1794
A View of the Fire in Covent Garden
1769
16
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
17
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
18
Print made by William John Cooke, 1797–1865
Worcester
undated
19
Print made by Robert Sargent Austin, 1895–1973
The Blind Beggar of Tivoli
1923
20
Print made by Robert Sargent Austin, 1895–1973
Italian Fair
1923
21
Print made by Sir Muirhead Bone, 1876–1953
Ayr Prison
1905
22
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
23
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
24
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
25
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
26
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
28
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
29
Print made by unknown artist
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
undated
30
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
31
Print made by unknown artist
A View of Campo Vaccino at Rome
undated
32
Print made by Stanley Anderson, 1884–1966
Smithfield
undated
33
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
34
Print made by John Bluck, active 1791–1831
Clare Hall
1814
35
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
36
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
37
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
38
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
39
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
40
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
41
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
42
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
43
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
44
Charles Heath, 1785–1848
Tower Hill
1825
45
George C. Finden, 1811–1885
A Mythological Battle
1853
46
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
47
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
48
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
49
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
50
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
51
William Birch, 1755–1834
A View in Kew Gardens
1789
52
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
53
Print made by unknown artist
A View of the Salfatara, a Remarkable Mountain Near Naples
undated
54
Print made by unknown artist
A View of the Royal Palace at Naples
undated
55
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
56
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
57
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
58
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
59
James McNeill Whistler, 1834–1903
Chelsea
undated
60
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
61
Print made by Stanley Anderson, 1884–1966
Horse Guards
1911
62
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
63
Sir Muirhead Bone, 1876–1953
The Building
1904
64
Print made by Sir Muirhead Bone, 1876–1953
Walberswick Ferry
1913
65
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
66
Print made by George Cruikshank, 1792–1878
Poor Little Rose
undated
67
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
68
Print made by John Bluck, active 1791–1831
Clare Hall
1814
69
James Gillray, 1756–1815
A Morning Ride
1804
70
Print made by Robert Sargent Austin, 1895–1973
The Cathedral, Palma
1928
71
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
72
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
73
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire