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Materials & Techniques wove paper

Creator Gender male

Associated Places London

William Alexander Group of English Children: Distant View of St. Paul's

William Alexander, 1767–1816

Group of English Children: Distant View of St. Paul's

undated

Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Henry Thomas Alken, 1785–1851

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

between 1809 and 1823

Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Henry Thomas Alken, 1785–1851

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

between 1809 and 1823

James C. Allen The Custom House

Print made by James C. Allen, active 1821–1831

The Custom House

1827

James C. Allen The Custom House

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Thomas Allom The Ceremony of Opening London Bridge, August 1, 1831

Print made by Thomas Allom, 1804–1872

The Ceremony of Opening London Bridge, August 1, 1831

undated

Samuel Atkins Men-of-War and other Shipping on the Thames (most probably at Deptford)

Samuel Atkins, active 1787–1808

Men-of-War and other Shipping on the Thames (most probably at Deptford)

undated

Frank Auerbach Mornington Crescent

Frank Auerbach, born 1931

Mornington Crescent

ca. 1970

Benjamin Baker Plan of the West India Docks

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

George Barret Jr. Marriage of Henry the seventh

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Sir Charles Barry Perspective View: the New Houses of Parliament

Sir Charles Barry, 1795–1860

Perspective View: the New Houses of Parliament

ca. 1840-1849

Sir Charles Barry Doorway, Dean's Yard, Westminster

Attributed to Sir Charles Barry, 1795–1860

Doorway, Dean's Yard, Westminster

1837

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salomon

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

James Basire the younger Plate XI: St Stephen's Chapel

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

James Basire the younger South West view of St. Stephen's Chapel Westminster, Restored 1800

Print made by James Basire the younger, 1769–1822

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

James Basire the younger Vol. 6, Plate XXXII: The Story of Hezekiah.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James Basire the younger Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

James Basire the younger Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

James Basire the younger Vol. 6, Plate XXVII: The Painted Chamber

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

James Basire the younger The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire the younger, 1769–1822

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815

James Basire the younger Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Print made by James Basire the younger, 1769–1822

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

1828

James Basire the younger PLATE XV. Elevation of a Window Bay &c

Print made by James Basire the younger, 1769–1822

PLATE XV. Elevation of a Window Bay &c

1805

James Basire Plate VIII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

James Basire Plate X: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

James Basire Plate IX: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Print made by James Basire, 1730–1802

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

James Basire Plate XIII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

James Basire Plate XII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

George Baxter Gems of the Great Exhibition No. 4: The Foreign Department

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

Robert Polhill Bevan A London Church

Print made by Robert Polhill Bevan, 1865–1925

A London Church

1924

Robert Polhill Bevan The Bayhorse, Tattersall’s

Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

1921

Robert Polhill Bevan Study for Hay Carts, Cumberland Market

Robert Polhill Bevan, 1865–1925

Study for Hay Carts, Cumberland Market

ca. 1915

Robert William Billings Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Robert William Billings Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Robert William Billings Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

George Birch Plan and View of Room under the Painted Chamber

George Birch, 1842–1904

Plan and View of Room under the Painted Chamber

1827

George Birch View of Guy Fawkes' Tower

George Birch, 1842–1904

View of Guy Fawkes' Tower

1827

George Birch Sections of Room under Painted Chamber

George Birch, 1842–1904

Sections of Room under Painted Chamber

1827

William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

William Blake, 1757–1827

Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

1819

J. Blore Window in St. Dunstan's in the West, London

Print made by J. Blore

Window in St. Dunstan's in the West, London

1834

John Bluck Saint Stephen's, Walbrook

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Louis Philippe Boitard Holbein's Gateway and Jones's Banqueting House, Whitehall...

Louis Philippe Boitard, active 1734–1760

Holbein's Gateway and Jones's Banqueting House, Whitehall..

undated

Thomas Bonnor St. Martin's Church Westminster

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

Thomas Shotter Boys Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

Thomas Shotter Boys, 1803–1874

Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

ca. 1840

Thomas Shotter Boys Regent Street, Looking Toward Piccadilly From Waterloo Place

Thomas Shotter Boys, 1803–1874

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

Thomas Shotter Boys View at Swiss Cottage, London

Thomas Shotter Boys, 1803–1874

View at Swiss Cottage, London

1836

Thomas Shotter Boys Street Scene at Stratford by Bow

Thomas Shotter Boys, 1803–1874

Street Scene at Stratford by Bow

undated

Thomas Shotter Boys The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

Thomas Shotter Boys, 1803–1874

The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

1832

Hercules Brabazon Brabazon Paddington Station

Hercules Brabazon Brabazon, 1821–1906

Paddington Station

undated

William Bromley David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

John Buckler FSA North West view of Charlton House, Kent; The Seat of Lady Wilson

John Buckler FSA, 1770–1851

North West view of Charlton House, Kent; The Seat of Lady Wilson

1815

John Buckler FSA North East View of Holland House

John Buckler FSA, 1770–1851

North East View of Holland House

1812

John Buckler FSA South view of Holland House, Middlesex, the Seat of Lord Holland

John Buckler FSA, 1770–1851

South view of Holland House, Middlesex, the Seat of Lord Holland

1812

Edward Francis Burney Handel in Vauxhall Gardens

Attributed to Edward Francis Burney, 1760–1848

Handel in Vauxhall Gardens

undated

Charles Burton View of the King's Entrance &c. From the South-West

Print made by Charles Burton, active 1830–1840

View of the King's Entrance &c. From the South-West

1835

Thomas Talbot Bury Elevation of the River Front

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Miss Mary Byrne The Houses of Lords and Commons

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

R. F. Cahusac Athenaeum

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

John Henry Campbell Landscape with a Distant View of London

John Henry Campbell, 1757–1829

Landscape with a Distant View of London

undated

William Capon Entrance to the House of Lords

Attributed to William Capon, 1757–1827

Entrance to the House of Lords

1796

William Capon Elevation of Buildings Fronting Westminster Hall

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

William Capon Henry VII Chapel

William Capon, 1757–1827

Henry VII Chapel

ca. 1793

Attributed to John Carter, 1748–1817

Front and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

John Carter Capitals, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Capitals, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802

John Carter Elevation of the Basement Story, House of Lords

Attributed to John Carter, 1748–1817

Elevation of the Basement Story, House of Lords

between 1800 and 1807

John Carter View in Basement Story under House of Lords

Attributed to John Carter, 1748–1817

View in Basement Story under House of Lords

between 1800 and 1807

John Carter Plan of Painted Chamber

Attributed to John Carter, 1748–1817

Plan of Painted Chamber

between 1793 and 1799

John Carter North Side, Painted Chamber

Attributed to John Carter, 1748–1817

North Side, Painted Chamber

between 1793 and 1799

John Carter Door near Painted Chamber

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster

John Carter, 1748–1817

South East View of the Towers of the Abbey, &c. from College St. Westminster

1782

John Carter Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Print made by John Carter, 1748–1817

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

1791

John Carter Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

between 1790 and 1802

John Carter Door on South Side of Painted Chamber

Attributed to John Carter, 1748–1817

Door on South Side of Painted Chamber

between 1793 and 1799

John Carter Springing of groins

Attributed to John Carter, 1748–1817

Springing of groins

1815

John Carter South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

Attributed to John Carter, 1748–1817

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

1815

John Carter PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Print made by John Carter, 1748–1817

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

John Carter Plate XIX: St Stephen's Chapel

Print made by John Carter, 1748–1817

Plate XIX: St Stephen's Chapel

1811

John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

John Carter, 1748–1817

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

John Carter Impost moldings, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802