Materials & Techniques: wove paper / Collection: Prints and Drawings / Subject Terms: literary theme / Classification: Prints - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques wove paper

Collection Prints and Drawings

Subject Terms literary theme

Classification Prints

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake The First Book of Urizen, Plate 22 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Edward Goodall Columbus and his Son

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

William Miller Dryburgh

Print made by William Miller, 1796–1882

Dryburgh

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Edward Goodall The Nile

Print made by Edward Goodall, 1795–1870

The Nile

1839

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

James Fittler 'The Gamester,' Act V, Scene IV

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

James Ward Mrs. Michael Angelo Taylor as 'Miranda'

Print made by James Ward, 1769–1859

Mrs. Michael Angelo Taylor as 'Miranda'

ca. 1798

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

unknown artist The Young Roscius

Print made by unknown artist

The Young Roscius

1804

George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

Georg Goldberg "Antony and Cleopatra," Act III, Scene XI

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

William Heath Opera Reminiscences: Desdemona and Othello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

Antonin Marie Chatinière Mr. Rossi as Othello

Print made by Antonin Marie Chatinière, 1828–ca. 1900

Mr. Rossi as Othello

undated

George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Print made by George Cruikshank, 1792–1878

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

after 1857

Benjamin Smith "Tempest", Act I, Scene I

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

George Baxter Little Red Riding Hood

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Robert Smirke Tempest

Robert Smirke, 1752–1845

Tempest

1821

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882

Loch Achray (Vignette)

1834

Edward Goodall Bolton Abbey

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Caroline Watson The Tempest, Act V, Scene I

Print made by Caroline Watson, 1760–1814

The Tempest, Act V, Scene I

1795

Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

unknown artist The Death of Juliet

Print made by unknown artist

The Death of Juliet

unknown

Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Print made by Henry J. Townsend, 1810–1890

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

George Cruikshank Mrs. Sheppard Expostulating with her Son

Print made by George Cruikshank, 1792–1878

Mrs. Sheppard Expostulating with her Son

1839

John Doyle ('H.B.') Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

Print made by John Doyle ('H.B.'), 1797–1868

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

1847

John Doyle ('H.B.') A Scene From the Farce of "The Critic," a Little Altered.

Print made by John Doyle ('H.B.'), 1797–1868

A Scene From the Farce of "The Critic," a Little Altered

1848

George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Richmond The Fatal Bellman

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882

Loch Achray (Vignette)

1853 reprint

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834, reprinted 1851

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

George Cruikshank Jack Sheppard Exhibits a Vindictive Character

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

George Cruikshank The Name on the Beams

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

George Cruikshank Jonathan Wild Discovers Darrell in the Loft

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

George Cruikshank The Murder on the Thames

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

George Cruikshank Jack Sheppard's Escape from the Cage at Willesden

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804