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Classification Prints

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Alexander van Haecken In Her Love-Darting Eyes Awakes the Fires

Alexander van Haecken, 1701–1758

In Her Love-Darting Eyes Awakes the Fires

between 1735 and 1757

Thomas Gainsborough Travellers by a Clump of Trees in a Rocky Landscape with Stream

Print made by Thomas Gainsborough, 1727–1788

Travellers by a Clump of Trees in a Rocky Landscape with Stream

undated

Richard Bernard Godfrey Knighton, the Seat of George M. Bisset, Esq.

Richard Bernard Godfrey, 1728–op.1794

Knighton, the Seat of George M. Bisset, Esq

before 1781

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

James Caldwall Ham Court, the Seat of John Martin, Esq.

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Thomas Gainsborough The Gipsies

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

William Byrne Untitled

William Byrne, 1743–1805

Untitled

1765

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Thomas Bewick Fisherman

Print made by Thomas Bewick, 1753–1828

Fisherman

undated

Richard Earlom Susanna and the Elders

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

James Bretherton Inimitable Mr. James Moss

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Richard Earlom A Landscape, with the Story of Apollo and Marsyas

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Thomas Bonnor Stanford, the Seat of Sir Edward Winnington, Baronet

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Agostino Brunias Free Natives of Dominica

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Richard Earlom The Exposition of Cyrus

Print made by Richard Earlom, 1743–1822

The Exposition of Cyrus

1781

James Fittler Mail Coach

James Fittler, 1758–1835

Mail Coach

ca. 1787

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Francesco Bartolozzi Georgiana, Countess Spencer

Print made by Francesco Bartolozzi, 1728–1815

Georgiana, Countess Spencer

1783

John Crome Three Landscape Studies

Print made by John Crome, 1768–1821

Three Landscape Studies

undated

Francesco Bartolozzi Cleone

Print made by Francesco Bartolozzi, 1728–1815

Cleone

1784

Francesco Bartolozzi Maria Cosway

Print made by Francesco Bartolozzi, 1728–1815

Maria Cosway

1785

Francesco Bartolozzi Lavinia, Countess Spencer, Viscountess Althorp

Print made by Francesco Bartolozzi, 1728–1815

Lavinia, Countess Spencer, Viscountess Althorp

1787

François Louis Thomas Francia Landscape with Cottages

Print made by François Louis Thomas Francia, 1772–1839

Landscape with Cottages

undated

Thomas Bonnor Blockley Church

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

George Stubbs Labourers

Print made by George Stubbs, 1724–1806

Labourers

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

1789

William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

1789

William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Birch A View in Kew Gardens

William Birch, 1755–1834

A View in Kew Gardens

1789

John Robert Cozens Spruce Fir

Print made by John Robert Cozens, 1752–1797

Spruce Fir

1789

John Robert Cozens Oak

Print made by John Robert Cozens, 1752–1797

Oak

1789

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Thomas Bewick The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

Print made by Thomas Bewick, 1753–1828

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland

1789

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Browne Moon-Light

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

William Ellis Beddington

William Ellis, 1747–1810

Beddington

1792

William Ellis The House of William Russell, Esq., Showell Green: English and French Text

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

William Ellis Clapham

Print made by William Ellis, 1747–1810

Clapham

1792

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 18, "Over the Hills...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 18, "Over the Hills...."

1793

William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake Alas!; Plate 9

Print made by William Blake, 1757–1827

Alas!; Plate 9

1793