A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
6
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
7
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
8
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
9
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
10
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
11
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
12
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
13
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
14
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
15
Print made by unknown artist
Part of the Front of the Vestibule
1843
16
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
17
Print made by unknown artist
Part of Westminster
ca. 1850
18
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
19
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
20
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
21
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
22
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
23
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
24
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
25
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
26
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
27
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
28
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
29
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
30
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
31
Attributed to John Carter, 1748–1817
Springing of groins
1815
32
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
33
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
34
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
35
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
39
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
40
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
41
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
42
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
49
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
50
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
52
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
63
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
64
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
65
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
66
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
67
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
68
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
69
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
70
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
71
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
73
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
75
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
76
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
77
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
78
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
79
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
80
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
81
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
82
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
83
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
84
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
85
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
86
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
87
George Harley, 1791–1871
Ruins of Westminster Palace
1834
88
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
89
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
90
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
91
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
92
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
93
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
94
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
95
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
96
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
97
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
98
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
99
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
100
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles